Tag: gothic  

P22 Bastyan Pro Font - Image 1

P22 Bastyan Pro  Font

Bastyan is a hybrid Italic Blackletter. This typeface resembles Carolingian miniscule scripts and has a timelessness that evokes formality but defies specific historical categorization. It is available in an optional Opentype “Pro” version with CE language support, multiple styles  of

Chubbet Distended Font - Image 4

Chubbet Distended  Font

Chubbet (pr. Chub-bay) Distended is the extended version of Chubbet . The Chubbet weight starts off plumper than plump, then it expands inward until there is a minimal amount of positive space. Published by Emboss FontsDownload Chubbet Distended

Jessen Schrift Font - Image 5

Jessen Schrift  Font

The original Jessen typeface, named in reminescence of the great supporter of the printing art at the end of the 19th century, Peter Jessen, was designed in the years of 1924 until 1930. Bible Gothic was created by the  famous

HGB Lombardisch Font - Image 8

HGB Lombardisch  Font

In mediaeval times, Lombardic initials were popular for embellished upper case in handwriting. Also, in ancient print products of the reanaissance, like e.g. in the Schedelschen Weltchronik of 1493, Lombardic initials were used to mark indentions. In other cases, Lombardic

LTC Goudy Sans Font - Image 9

LTC Goudy Sans  Font

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal “gothic” and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three  Goudy

Fette Fraktur Font - Image 12

Fette Fraktur  Font

Fette Fraktur was issued by the C.E. Weber foundry in Germany in 1875. This is specific Gothic-based lettering suitable for jobs where extreme contrast or specific period should be evoked. Nevertheless, the rendering is sophisticated and offers an historic atmosphere

Breitkopf Fraktur Font - Image 13

Breitkopf Fraktur  Font

Breitkopf Fraktur was designed by Johann Gottlob Immanuel Breitkopf (1719-1794), the well-known type designer and printer of Leipzig. Breitkopf’s high reputation is based on a system of musical notes printing developed by him. 1793, in the final stage of  his