Tag: graceful
Yorkten Slab Font
The Yorkten family of fonts is back with another satisfying addition to its clean style. The rhythmic, new Yorkten Slab expands Yorkten’s basic, contemporary form of geometric and simple lines and adds a level of self-confidence and elegance to your
Salinas Font
Salinas imitates a friendly and warm handwritten typeface. Its particular feeling is achieved thanks to several character variations, which can automatically alternate between three different (and complete) sets of characters, giving the font the proper character of handwriting, mixing: height,
Red Velvet Font
A vermilion confection, favored by Salisbury House, with lineage to the Eaton’s Original. Red Velvet: Flour, sugar, eggs, Crisco and cochineal. Remarkable not only for its insect coloring, but for its fuzzy tongue-feel. Published by BLKBKDownload Red Velvet
Artimas Font
The Artimas family is the new book design font family developed out of Aramus. These new serif typefaces are readable and graceful — part of my development of a series of book families. Aramus was very popular for a single
Sphinx Font
Designed by Steve Jackaman, Sphinx is a serif font based on the Deberny & Peignot, circa 1925. Originally, the inline was a capitals only font. Published by Red RoosterDownload Sphinx
Stanhope Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904. Published by Red RoosterDownload Stanhope
Alexon Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights. Published by Red RoosterDownload Alexon
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Roller Font
Designed by A. Pat Hickson, Roller is a retro font design based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942. Published by Red RoosterDownload Roller
Garamond Font
Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond
Waverly Font
Waverly is a round and soft serif designed by Les Usherwood, digitally engineered by Steve Jackaman. Published by Red RoosterDownload Waverly
Javelin Font
Designed by A. Pat Hickson, Javelin is a sport-like and retro font design. Published by Red RoosterDownload Javelin
Hess Old Style Font
Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old Style
Kingsrow Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Kingsley Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley