Tag: graphic
Arkibal Sans Font
The inspiration comes from some old documents and store signs from my great-grandfather’s old gold list factory from 1838. He delivered hits for many artists of that time, and various museums in Copenhagen. I priority increases to make a mixture
Mediafont Font
A squarish constructivist titling font ideal for branding, poster… Published by La Boite GraphiqueDownload Mediafont
Bronkoh Font
A subtly softened sans, Bronkoh aims to give a friendly face and soft touch to type both onscreen and in print. Humanist forms and generous apertures make this a sturdy and legible face while it's softened curves and terminals give
Monrad Font
Monrad is a font family characterized as grotesque sans serif. The final ink consists 6 styles including italic version, manually edited kerning. The idea of the font is to create a blend of dynamics and organic balance in the letters.
Arkibal Display Font
Display version is a little different from Sans family, where “a” is the center of the whole font. And letters “l, b, d, p, q and t” is the moved slight angle. The idea was to make two versions with
Graphie Font
Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body
Stolzl Display Font
Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant
Oduda Font
Oduda is a geometric, rounded typeface designed by thmbnl. The use of perfect round shapes and quite a short ascender height makes it a very stable, yet a playful looking typeface. Next to the demo version of the bold weight,
P22 Dyrynk Font
Dyrynkova Latinka (or Dyrynk Roman) is a text face designed in 1929 by Karel Dyrynk (1876-1949). Dyrynk, an important figure in the Czech book arts field in the early 20th century, was director of the government printing works (Státní tiskárna)
Centrale Sans Rounded Font
We are proud to announce the release of Centrale Sans Rounded, the new addition to Centrale Sans family. It is not the first nor the last rounded typeface out there, but at a certain point we’ve noticed that the ones
Divert Font
Based on the outline of each character, Divert works by re-directing each outline as a single meandering stroke that moves back and forth to create a quirky yet clean typeface. The typeface contains an uppercase character set plus two lowercase
Los Lana Pro Font
Los Lana Pro is a handmade display typeface. Unlike other font families, this type has not a modular structure, that is, each character has been individually designed. The coherence of structure elements across different characters is given by irregular strokes.
Millar Font
An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol. Published by The Northern
Manicuore Font
Impacting and vibrant, Cordelia family draws inspiration from covers of ‘cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil. Printed in coarse paper, usually with an woodcut illustration and lettering
Loudine Font
Loudine is a striking decorative display typeface, great for posters, book covers and magazine headlines. It comes in two widths, each of them packed with a set of stylistic alternates: just turn on the feature in an OpenType savvy program
Muralista Font
This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early