Tag: grotesque
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely
Yorkten Font
Clean and welcoming, the distinct look of Yorkten is remarkably satisfying to the eye. Straight to the point, Yorkton features a fashionable, geometric composition with angled main stems. There are no fewer than fifty-four fonts in the family, all of
Grayfel Font
As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise
Moveo Sans Font
Moveo Sans is a modern multilingual sans serif font family designed for comfortable reading. Family include width 5, and 8 weights featuring Basic Latin, West European, Central European, Baltic, Turkish, Romanian, Cyrillic, Greek, also Ligatures and Small Caps. Published by
Brocha Font
I made the first sketches for Brocha when I first visited Easter Island in 2011. I took inspiration from pre-Columbian art for such sketches, but I must say that they were kind of rough and clumsy; it was an experimental,
Termina Font
Amongst the landscape of geometrics, Termina breaks the norm with its generously wide letterforms. The typeface was conceived after finding and examining specimens for Industria, a family designed by Hermann Zehnpfundt in the early nineteen-hundreds for Emil Gursch. Something about
Bw Stretch Font
Bw Stretch is a compressed grotesque suited for display but also body text purposes. Inspired by early wood-block screen-printing sans serif designs, it spreads across eight weights from Thin to Heavy, covering all European Latin languages. It includes extended features
Conto Font
The Conto super family is a powerful and clear typeface for complex corporate typography. From essential text to captions, tables and advertising, the 64 weights have the flexibility to fulfil your every typographic need. The Conto family is simple, serious,
Abrade Font
Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print
Fox Grotesque Pro Font
Fox Grotesque Pro is follow-up version of Fox Grotesque family. Typeface consists of ten font styles with extended support for most Latin languages plus Cyrillic. Fox Grotesque Pro release in OTF format and includes some opentype features – proportional/tabular, lining/oldstyle
Manifold Extended CF Font
Manifold Extended is a wide, sweeping variation on the classic Manifold font family. Its clean, elongated shapes are both technical and elegant. An excellent typeface for titles, logotypes, user interfaces, and short texts. Feature Summary – Eight weights and obliques
Averta Font
Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simplistic, yet appealing, personality.
Intro Rust Font
Intro Rust is one of the biggest packages on the market, including 214 fonts. The font family is a rough version of the famous Intro and includes 4 sub-families – Intro Rust, Intro Script, Intro Head and Intro Goodies. For
Pancetta Pro Font
Pancetta Pro is a squarish sans-serif typeface with semi-closed aperture and pillow-shaped terminals. The shape of a pillow is furthermore used to enliven the boring horizontal stems which are very frequent in Cyrillic script, and get rid of the right
Merlo Round Font
Font Merlo Round is the younger brother of Merlo. Font Merlo Round is characterized by twelve different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW „Prasa” that
Le Havre Rough Font
Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices,