Tag: grotesque
Turn Right Display Font
A display font that attempts to bridge the gap between classic geometric and neo grotesque faces simple shapes with a robust, no nonsense approach. Published by Jamie WinderDownload Turn Right Display
Centima Font
Centima – a geometric sans serif typeface family, built in six styles. The typeface is intended for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Centima is released
Necia Font
Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can
Alphabet Soup Pro Font
Designed by Steve Jackaman. In the early 1980’s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced
Interval Sans Pro Condensed Font
The new Interval Sans Pro is a pratical choice when you need a contemporary sans serif for text typography, headlines, signage or brands creation. This new version has many more OT features like small caps, ligatures, stylistic set, localized form.
Normalise Din Font
Normalise Din is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Normalise Din
Figgins Sans Font
The first sans serif types were made in London in the early 19th century. They were severely modern, all caps and bold. The Figgins foundry, inventor of the term sans serif, showed a fine example in its specimen of 1836.
Recta Font
Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of
Transat Text Font
Transat Text is a geometric sans serif typeface, and is the more rational sibling to the unabashedly Art Deco “Transat”. Transat Text has a slightly taller x-height than its counterpart, making it easier to read at small sizes, but also
Novecento Sans Font
Novecento sans is an uppercase-only font family inspired on European typographic tendencies between the second half of 19th century and first half of the 20th. It looks rational and geometric. However, it is optically corrected and balanced. This font face
Megaphone Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Creighton Pro Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Quarca Font
Quarca’s masculine power runs strong across the page with bold self-assurance and a raw energy that courses through its thick veins. Don’t think the continuous, smooth geometry of this semi-modular face is captively chained to the grid, though. Quarca has
YWFT Matter Font
Take the Matter into your own hands. YWFT Matter, that is–a wide, bold and grotesque typeface design based on several concepts from Victorian-era science texts and manufacturing/marketing materials. YWFT Matter features alternate characters, like a “two-story” lowercase “a,” that are