Tag: grotesk
Citadina Font
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearance and a slightly condensed design which makes it particularly effective for space economizing.
Brownstone Slab Font
Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface. Like the original Sans, Brownstone Slab is a 21st-century design, influenced by the Victorian decorative motifs of the ironwork and carved decorations of New York City
Alergia Grotesk Font
Alergia_Grotesk was made as a hybrid between a classical geometric grotesque and a linear antiqua. Typeface is characterised by a lot of details, which gives it a strong character. Unpredictable cuts in a letters “a” and “s”, or a double
Filson Soft Font
Filson Soft is the rounded version of the popular Filson Pro. At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons,
Ranelte Font
The beauty of a classic is that it never really goes out of style. The pure, simple elements which define its greatness only strengthen and solidify with time and exposure–elements like those that inspired Ranelte, the new sans serif from
TT Cottons Font
Original Foundry: TypeType Original typeface name: TT Cottons Pinatas Cottons is a friendly hand-drawn typeface with condensed proportions. Each separate style of Pinatas Cottons was drawn by using different instruments. For instance, the black style was painted with a real
Zega Text Font
Zega Text is a top-heavy sans family, inspired in the imprecisions of letterpress printing. Zega has 14 versions that give to your text (printed or on screen) a delicious sense of old printing. Give an exclusive touch to your text
Allioideae Font
This fine lined display type face was named Allioideae because of the ascenders of the lower cases. They are rising upright with a single stroke and are ending – depending on the font style – into a spherical blossom. The
TT Russo Sans Font
Russo Sans is a modern extension of the legendary free font Russo. Now it is a modern interpretation of an old font. We added in this fontfamily new typefaces and support for many codepages and languages. The fonts are very
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely
Grayfel Font
As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise
Moveo Sans Font
Moveo Sans is a modern multilingual sans serif font family designed for comfortable reading. Family include width 5, and 8 weights featuring Basic Latin, West European, Central European, Baltic, Turkish, Romanian, Cyrillic, Greek, also Ligatures and Small Caps. Published by
Brocha Font
I made the first sketches for Brocha when I first visited Easter Island in 2011. I took inspiration from pre-Columbian art for such sketches, but I must say that they were kind of rough and clumsy; it was an experimental,
Sumptuous Font
Sumptuous is a sans-serif family combining the geometric and the humanist models. presented by Locomotype. Suitable for magazine, paragraph, headline, body text and logo design. Complete family make your job is so easy to mix and match your designs to
Bw Stretch Font
Bw Stretch is a compressed grotesque suited for display but also body text purposes. Inspired by early wood-block screen-printing sans serif designs, it spreads across eight weights from Thin to Heavy, covering all European Latin languages. It includes extended features
Stencil Creek Font
Stencil Creek font family is a rounded stencil typeface that comes in eight weights and two rough versions. It is inspired by Akzidenz Grotesk and influenced by street signs of the North West Pacific. You can also overlap some of