Tag: grotesk
HAUS Sans Font
HAUS Sans is inspired by Bauhaus and historical grotesk typefaces of the 1930s. Available in 6 weights, from “Ultra Light” to “Extra Bold” regular and italic versions. The font includes 389 gliphs, with subscripts, superscripts, ligatures and support almost all
Cabrito Inverto Font
And so now, here it is. Cabrito Inverto, which features the reversed stress of the strokes from a font’s “normal” traits. Inverted stress fonts are most often associated with cowboys and the Old West. The inverted stress gives it a
Gibbs Font
Gibbs is a tough, sophisticated sans, named for prolific maritime architect William Francis Gibbs and inspired by his greatest design, the record-breaking mid-century luxury liner SS United States. Taking various cues from the unique cast aluminum signs found on board,
Kyrial Sans Pro Font
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a pratical typographic choice to express strength,
Modernica Office Font
We have adapted the version of our Modernica font for use in Microsoft Office. It only has 4 variants: regular, italic, bold and bold italic. Font weights have been named in a way that can be clearly shown up in
Panton Font
Panton has been expanded with Panton Narrow! It has 9 uprights and 9 matching italics ranging from Thin to Heavy. NEW! Update 3.0 What’s New: • New Narrow version of 18 weights • Bulgarian Localization Support • Tabular Figures •
Glober Font
The Glober font family includes 18 weights – nine uprights with nine italics. It is characterized by excellent legibility in both – web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by
P22 Morris Golden Font
William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris
Basset Font
Designed by A. Pat Hickson. Digitally engineered by Steve Jackaman. Originally in five weights, Steve produced three additional weights. Published by Red RoosterDownload Basset
Tecnica Stencil Font
Tecnica Stencil font family is the stencil version of Tecnica font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Tecnica Stencil consists of 8 styles. The 4 “Stencil 1” styles contain a narrow stem
Clobber Grotesk Font
Clobber Grotesk Bold is a grotesk typeface family designed for high readability. It includes a range of weights and stencil variants. The terminals of the letterforms are slightly flared in order to increase legibility. Published by WordshapeDownload Clobber Grotesk
Sofia Rough Font
Based on the popular Sofia Pro typeface, Sofia Rough is a multifaceted font family with different eroded variations. Sofia Rough contains sixteen fonts and two eroded sub families. With Sofia Rough Black for uppercase and Sofia Rough Script for lowercase
Graphique Pro Font
Graphique was originally created by Swiss designer Hermann Edenbenz in 1945, and issued as hot metal font by Haas’sche Schriftgieberei, Switzerland. German type designer Ralph M. Unger digitally remastered and expanded the typeface for profonts, and the digital OTF Pro
Crique Grotesk Font
The Crique Grotesk This contemporary typeface is inspired from Neo-humanist and Geomatric industrial tone presented the late 2000s typeface. The font family is also composed of the normal width and display width in order to support the different applications on the delicate
Tzigane Font
Tzigane is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Tzigane
Stevie Sans Font
Many years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting. The style eventually settled in my memory waiting for the work of time. Behind its