Tag: headline
Korbin Font
Inspired by the sans-serifs of the late 19th and early 20th century, Korbin is a legible and versatile text and display face available in five weights. It mixes geometric and humanist traits to achieve a modern, clean, friendly appearance. The
Snippity Snap Font
Snippity Snap is a font made up of glyphs I cut out from black paper with some household scissors, then pasted onto white paper. When I was cutting out the shapes, my children asked me what I was doing, and
Weisshorn Font
Weisshorn is a new font with Rough version, which includes 280 glyphs and alternative characters. This font can enliven any a layout make the design appealing. The font looks great on packaging design, you can also use it to brand,
Kessel 105 Font
Kessel 105 is inspired by the classic, geometric sans-serifs such as Futura, but has shallower ascenders and descenders for a more compact look, and features an art deco influence with sharp points at the apex of many characters. It’s a
Keith Font
Keith is a striking and playful display font. Mix and match the different shadow styles, to create a variety of different looks and effects. There are four different shadow effects, along with a fill and an outline variation. Keith features
Notaris Font
Notaris (‘Notary’ in Dutch) is a hand-drawn, all caps didone-style typeface. It is a little rough, a little uneven, but lively and elegant as well. Comes with an abundance of diacritics and, lo and behold, some end-ligatures as well. Published
Jambo Font
Jambo (‘hello’ in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a
TT Walls Font
What do you use to write a price tag at a store or to design a wall menu in a cafe? What to choose – a marker or chalk? Now it makes no more sense to be torn apart by
Astromonkey Font
Astromonkey – here he is, all new, all excited to be alive! Astromonkey comes from outer space, where he has rubbed shoulders with the Star Trekkers, the aliens and Major Tom, who is still floating in his tin can. The
Porceleina Font
Porceleina is elegant, what more can I say? This handmade and hand drawn font comes with a heavy loadful of diacritics – and the Opentype contextual alternates makes sure that the font cycles between the six different…yes SIX different…versions of
Sensory Overload Font
Whenever I create a font using a Chinese brush and ink, it almost always comes out scary-looking. Sensory Overload is not like that: it is quite a neat and tidy font, even if it is a little rough around the
Mango Smoothie Font
Summer’s almost here, so it’s time for some mango smoothies! Mango Smoothie is a tall, all caps, hand drawn font. A little shaky, a little uneven, but with a big taste and some creamy glyphs. Comes with multi-language support. Published
Kinghorn 105 Font
Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Kamerik 205 Font
Kamerik 205 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look, and features a traditional double-storey lower case a and g. It’s a versatile, modern
Plakkaat Font
Plakkaat is a fat brushed font, made with wide brushes and paint. Since it is a very easy to read font (and not to be missed), it is ideal for advertising campaigns, or demonstration signs.. This 2019 version comes with
Kaleko 105 Round Remix Font
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105 Round. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a
Kursk 205 Font
A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the compact and geometric look. Related to Kursk 105, its squarer-edged cousin. Published
Wild Bunch Font
The Wild Bunch, also known as the Doolin–Dalton Gang, was a gang of outlaws that terrorized Kansas, Missouri, Arkansas, and Oklahoma Territory during the 1890s. They robbed banks, killed lawmen and held up trains. Of course its members were hunted