Tag: headline
Danger Block Font
Danger Block is a stencil font inspired by Russian Constructivism. Published by Green TypeDownload Danger Block
Bambusa Pro Font
Bambusa Pro is a sturdy expressive modern calligraphy family of 4 fonts: Regular, Bold, Basic and Ornaments. It owes its name to the bamboo pen that was used to draw all of the characters and swashes. The typical ink-strokes of
Animo Font
Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for
Mato Sans Font
Legible and dynamic shape, tons of OpenType options, different scripts – that’s Mato. Difficult small size, long text in vietnamese, huge heading in russian or table full of figures to create? It’s not a problem with this family. There are
Real Talk Font
Real Talk packs the same lip flapping smacks and pharyngeal grunts as any old nonsense. But while a baby can only babble, a grown man can mean something. Put words in perspective, located on the axes of breadth and depth,
Luckiest Guy Pro Font
Our Luckiest Guy Pro was inspired by hand-lettering by vintage 1950’s advertisements. The uber-bold unicase letterforms exude charm and light-heartedness, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: – Small Cap
Spicy Rice Pro Font
Our Spicy Rice Pro has a festive flair to it that works through winter holidays to summertime jams. Casual and exciting, the extra heavy letterforms are imbued with a little exotic flair and flavor to spice up the party. The
NT Fata Font
NT Fata is a decorative multi-layered font. It allows endless possibilities. The ornamental shapes refer to middle eastern patterns, giving the type a mysterious and imaginative feel. The glyph set contains elegant ornaments, enabling you to decorate your design even
Luckiest Softie Pro Font
Our Luckiest Softie Pro is a softened variation of our Luckiest Guy Pro typeface, inspired by hand-lettered vintage 1950’s advertisement. The charm of the original typeface is enhanced with softened corners to give the typeface a more cuddly charisma. Opentype
Ultra Pro Font
Our Ultra Pro is an ultra bold slab typeface with nods to wood type styles like Clarendon and Egyptian. Its powerful and dramatic letterforms are both serious in form but friendly in appearance yet it is still easily legible. Perfect
Smokum Pro Font
Our Smokum Pro is a western inspired slab-serif font with a little playful swagger to it. It’s perfect for headlines and display uses that require a little loosened up country flair, but because of the contrast of thicks and thins,
Breathe Easy Font
Dawn broke above them, first greying the sky, then streaking it with color as it kissed the mesa tops. They walked up out of the gulch and the sun finally warmed their faces. Breathe Easy, he said, wreathed in steam,
Musso Font
Musso is a dirty handwritten font inspired by street typography. Every letter has at least 5 contextual alternates, and by using and mixing these OpenType features the font is capable of imitating natural handwriting. (Please make sure, that you have
Vagabundo Font
Vagabundo is a hand brushed family with three styles and some extra goodies. You can combine different weights with icons, ornaments and banners to get a nice original design. Published by Juraj ChrastinaDownload Vagabundo
Ed's Market Collection Font
It’s like hiring your own professional sign painter with a solid repertoire of styles. Each one is distinctive, yet clearly by the same hand – in this case, Laura Worthington’s, holding a pointed brush. No variants were created on the
Trasandina Font
Trasandina is a very unique font-family: a modern, versatile, workhorse typeface with a special personality, given by the mix of humanist and geometric models, remaining far from both extremes. This typeface has 9 styles plus their matching italics, it has
Termina Font
Amongst the landscape of geometrics, Termina breaks the norm with its generously wide letterforms. The typeface was conceived after finding and examining specimens for Industria, a family designed by Hermann Zehnpfundt in the early nineteen-hundreds for Emil Gursch. Something about