Tag: headlines
Andis Font
Andis’ rough cut makes it an interesting display typeface, but thanks to its generous x-height and firm serifs, Andis works equally well in text sizes. The typeface’s idiosyncratic italic builds a strong contrast with the roman. Andis is both functional
Pusia Font
Pusia is a versatile font family with a lot of character and warmth. It is a professional, contemporary sans serif with original letter forms, friendly and dynamic feel. Its subtle curved shapes and attention to details give Pusia a very
Daphnis Font
Walter Tiemann’s elegant display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets. Published by RMU TypedesignDownload Daphnis
Estricta Font
Estricta font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a sans serif typeface with a geometrical and mechanical appearance, its sharp, angular edges provide a strong and solid design. It has been
Ruda Slab Font
Rauda Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a display, slab serif, geometric typeface, with sharp angles that provides a strong and solid appearence. Rauda Slab consists of 8 styles.
Innova Font
Innova. A new grotesque for the 21st century. More open. More squarish. More legible. After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design—a contribution to
JT Leonor Font
JT Leonor is inspired by the world renowned Gotham typeface but with a more square feel in its light weights and a rounder bold range, this typeface is perfectly suited to both large chunks of body copy as well as
JT Alvito Font
The JT Alvito family includes 5 weights with matching italics. It is ideally used as a display typeface but can also be used in body copy. You will find that it works particularly well in advertising, packaging, logo design and
Mi Negra Font
Mi Negra is a funny and hilarious typography designed especially for children, thought and created by Isabel de Gregorio. It could be described as an original combination between a semi-handwright and semi sans-serif font. Thanks to its structure and nice
Arbour Font
With its solid slab form, mixed with subtle curved terminals, Arbour is a unique font with the versatility to work in many different scenarios, from branding to digital applications. It comes in 7 weights, from a delicate extra-light to a
Trapstyle Font
Trapstyle is a distressed style script font, designed and published by Dhan Studio. Published by Dhan StudioDownload Trapstyle
Trenda Font
Designed by Daniel Hernández and Paula Nazal. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Trenda is a geometric sans-serif typeface based on the uppercase of Trend—a Latinotype font, released in 2013, that was very well received. This new
Bw Glenn Slab Font
Bw Glenn Slab is a confident and robust font family with a sturdy feel offering no concessions for ambiguity. Its strict geometry and open shapes provide a very legible and clean texture, performing well on print and screens alike. It’s
Agatha Font
Agatha is a new typeface for titles and short texts in big sizes. It can be use both in editorial publishing and brand design. From gothic geometric bases, the letters resemble the Nordic style in order to be more feminine,
Smooth Brushings Font
When I was painting this font, I suddenly had the movie Cool Runnings (1993, directed by Jon Turteltaub) in my head. I had to name the font, so I came up with Smooth Brushings. Of course, this font has nothing
Snatch Font
Snatch is a dynamic and expressive type system designed for impassioned and unprejudiced creative directors who look to combine the rough with the sexy. The font is well-suited for publishing projects, branding and packaging. Snatch is composed of three sections:
Circensis Font
Picking up a concept of Fritz Richter, Circensis is the realization of an adorned display font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and legible font for circus and variety
Ostrich Proper Font
Ostrich Sans is dead, Ostrich Proper is here! What started as a skinny single style has evolved to a family from ultralight to extrabold. OP is a slightly condensed typeface with clean, smooth lines and personality at each weight. Published