Tag: helvetica
YWFT Absent Grotesque Font
In these over-Photoshopped times, a little imperfection can make your work stand out and excel. YWFT Absent Grotesque was created to be an imperfect typeface, exploring ideas found in Univers and Helvetica without the serious attitude and over-marketing. It was
YWFT QUE Font
It has been said that a strong typeface is made stronger when it is applied to a thoughtfully considered composition. Helvetica, perhaps the strongest of all typefaces, even starred in its own film. But to every thing, there is a
Uninsta Font
Uninsta is a neutral sans serif font family intended for use across a variety of modern applications in both digital and print media. Geometric letter forms are combined with subtle humanist touches to create a legible, low contrast typeface with
Heldustry Font
Designed in 1978 by Phil Martin, Heldustry is a clean, modern and great type design for corporate and or minimal type layouts. Published by URW Type Foundry GmbHDownload Heldustry
Clinica Pro Font
Clinica Pro is a modern take on Swiss grotesques, with a little bit of an added personality. It features 8 weights, italics, 6 sets of figures, small caps and a bunch of ligatures. Still relatively neutral, it lets a brand
Helserif Font
Designed in 1978 by Phil Martin, Helserif is a clean, modern and great slab design that works as a viable solution for numerous design projects. Published by URW Type Foundry GmbHDownload Helserif
Heltar Font
A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation
YWFT HLLVTKA Font
With great pride, we present this hand-drawn alphabet in both upper and lower case, derived from the beloved standard of all existing things: Helvetica. Originally hand drawn in 2007 by YouWorkForThem, we revisited these drawings in 2010 and developed them
Familiar Pro Font
This family was inspired by a Type Battle over at Typophile: How would you design a font metrically compatible with Helvetica, but better than Arial? Working with preset letter widths was an interesting constraint, both a relief and a limitation
YWFT HLLVTKA Round Font
With great pride, we present this hand-drawn alphabet in both upper and lower case, derived from the beloved standard of all existing things: Helvetica. Originally hand drawn in 2007 by YouWorkForThem, we revisited these drawings in 2010 and developed them
Nimbus Sans No 5 Font
Designed by Max Miedinger, Nimbus Sans is a sans-serif typeface created by URW, based on Helvetica. The family supports Western Europe, East Europe, Turkish, Baltic, Romanian languages. Some of the fonts have history predating Helvetica’s first release. For example, Nimbus
Grey Sans Font
Grey Sans is a contemporary sans with an angular design. Routed in both modern geometry and historical handwriting, Grey Sans bridges the gaps of neutrality and warmth, precision and humanism, and serious and fun. Grey Sans covers the grey areas
ABOVEA Font
Abovea have been designed by M Fairuzulhaq, Process design derived by freehand scratches with sans sherif style and slightly italic. What are special of the Abovea font is the anatomy font itself (stem, terminal, stroke, bar, tail, bowl, counter, axis,
Nudely Font
Nudely is a geometric display font family consisting of 8 font weights. The Nudely Duo is optional of the Nudely One font, you can see the most striking difference anathomy at the 'shoulder' and arch of stem in the letters
Nimbus Sans Font
Break the Fontopoly. Helvetica. The boss of the 600-lb gorillas. A famous name, known in every corner of the world as the end-all, be-all of sans-serif typefaces. It even has its own feature film. But, what if everything you assumed
Antique Olive Font
Antique Olive, designed by Roger Excoffon in 1962 for the French Olive type foundry, was meant to be the French answer to Helvetica and Univers. However, the typeface is way too eccentric and distinctive to ever become a rival for
HWT Gothic Round Font
Gothic Round was first introduced as wood type by the George Nesbitt Co. in 1838. The font is a softened variation of a standard heavy Gothic typeface. The style evokes a much more recent history of the 1960s and 70s
Folio Font
Folio is a realist sans-serif typeface designed by Konrad Bauer and Walter Baum in 1957 for the Bauer foundry. Bauer licensed the design to Fonderie Typographique Francaise for sale in France under the name Caravelle. Like Helvetica and Univers, which