Tag: high contrast
Elegia Font
I designed Elegia on a winter escape in beautiful and sunny Lisbon. That was a very elating experience, friendly people, a beautiful old town, perfect coffee and good simple cooking all that topped by extremely reasonable prices. Since I just
Bodoni Classic Pro Font
This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D).
Bodoni Sans Font
Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions
TT Inters Font
Inters is a very strict and rhythmic font, but at the same time very sensual and emotional. Inters — a real typeface for the dreamers. It is very well suited for each design. You can use Inters font for a
Tenez Font
TENEZ, A GRAND SLAM WORTHY POINTED NIB SERIF We designed Tenez for one of our branding projects – Coralinda, further developing the resulting logotype into a typeface we felt could solve many designers’ needs. Its origins are rooted in pointed
Maris Font
The family is composed of six different weights, each one bolder than the last but all equally as filling. The lighter weights move delicately through each line, showing a gentle strength in their smaller frame. The six weights from these
Sybarite Font
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor. Sybarite is James Puckett’s revival of the fat face type
Filmotype Panama Font
Initially offered in the late 1950s, Filmotype Panama was one of Filmotype’s ‘tipsy’ serif Free Style typefaces which featured a delightful blend between casual serif and latin styles. Remastered and expanded with exacting precision from the original filmstrips, Filmotype Panama
Haggard Font
Haggard is a wedge serifs typeface family of six styles. It stands out from the crowd with unique features like compact proportions of glyphs, sharp wedge serifs, small caps, and true italics. Haggard is a display font and can be
ATC Rosemary Font
ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts
Ratio Modern Font
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in
Magnel Font
Curvaceous Magnel was born for headlines, posters and big sizes. Besides most Latin alphabet languages, it packs dozens of (accented) ligatures and every single letter has a smart swash variant that when enabled in OT-aware application, conveniently occurs at the
Rufina Font
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like
Barber Font
Barber is a versatile script font family with four weights. While Barber 1 is elegant and neat Barber 4 is cheerful, strong and full of warmth. Barber works great by just typing words but for some extra kick try turning
Kewl Script Font
Kewl is the result of being caught in the afterimage of one design project while conceptualizing another one. Just before finishing the final tests on Mrs Blackfort, the first of what became a long series of Charles Bluemlein fonts, some
Spire Extra Light Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this extra light revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by