The Dree and Kith font duo is a creative and organic design with multilingual support. It's a very versatile typeface that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers
Thesh, a modern decorative display font, presents a bold stroke and playful character, enhanced by a selection of ligatures and alternates. This font supports over 100 languages, offering versatility for your creative projects. Thesh is well-suited for logo design, social
Introducing Type Prodigy, a timeless serif logo font that combines classic elegance with modern versatility. This font is a designer's dream, boasting over 310 crafted ligatures and alternate glyphs that add flair and sophistication to any project. With support for
Megafield is a contemporary display serif typeface with sharp and dynamic strokes, strong contrast and delicate pointed serifs. giving traditional serif design elements a modern feel, it’s a graceful and confident typeface family with an extensive set of functional and
Elevate your designs with Philosykos – a typeface that exudes elegance and sophistication. With more than 80 ligature choices and carefully crafted details, this font is perfect for adding a cultured touch to your artwork. Available in four styles
Introducing American History, a font duo inspired by 1700-1800s American culture, offering a modern twist on classic serif font and handwriting font styles. Use them together for striking headlines or separately to add a historical touch. This font duo includes
Pinehouse is a font that exudes elegance and vintage style. With its three types of styles – plain, outline, and shadow – it’s perfect for creating a 3D or hand-painted impression. This font features uppercase letters with different sizes and
Kelyon is a sophisticated and modern serif, inspired by the late Middle Ages and early renaissance period. Kelyon was designed with a very thin hairline and long serifs, this reflects the charm and feel of the 14th century. With over
From the great Schelter & Giesecke collection, Dante Alighieri is a splendid companion to Aldo Manuzio or any other Art Nouveau display font. With its rather condensed characters makes an ideal body text font even for narrow columns. Dante Alighieri
The Carlsbad font family is a bringing together of Regina Cursiv and Hansa Cursiv which bothhad been released by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895.Both these beautiful Art Nouveau italic fonts come with the following swash alternatives: D, E,
What happens when Roman and Art Nouveau heritage get together? Antiga happens. Combining an old style typeface with an elegant and modern touch, Antiga is ideal for magazines and newspaper headlines, or even book covers! With a delightful and versatile
In 1938 the Frankfurt-based foundry Ludwig & Mayer released Eugen Weiss’ beautiful fraktur ‚Hoelderlin‘. Carefully redrawn and redesigned, this digitized version is intended to add another gem to the enthusiasts’ treasure drove of blackletter types. The font contains the historical
Inspired by some handwritten letter forms, the drawings and designs finally became an entire font. It is an ideal companion to create diplomas, certificates and any other vintage projects. Take advantage of the long s which can be reached when
AP pro is Old-Style typeface that has 6 weights and italics. Fit for usage in branding, editorial, title in small or large sizes. Designed for text, this typeface has features small caps, case sensitive, final/terminal form (a, e, m, n,
Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each
Montecatini Pro takes its cues from the elegant Stile Liberty travel posters of Italy in the early 1900s. In its successful first release by Louise Fili Ltd in 2017, the typeface introduced distinctive ligatures typical of the time when Art
This crisp and constructed Ludwig Wagner, Leipzig, blackletter font in textura style had been originally designed by Berthold Wolpe. Freshly redrawn and redesigned, it adds now to the treasure trove of historic typefaces. This font contains a bunch of useful
Geographica hand replicates the neat hand-lettering typical of engraved British maps of the 18th century, including the work of cartographers Emanuel Bowen (circa 1694–1767), geographer to king George ii, and Thomas Jefferys (circa 1719–1771) Geographica to King George iii. a