Tag: humanist
Acrom Font
Acrom is a geometric sans serif typeface with a minimal stroke contrast. It was designed with a modern, contemporary context in mind. Acrom is not merely mechanical, it can also be recognised as a natural typeface with subtle geometric aesthetics. The humanist
Diane Script Premiere Font
Designed by the legendary French designer Roger Excoffon in 1956, this remarkable script has never been faithfully recreated until now. In close collaboration with Mark Simonson, FontHaus and Mr. Simonson painstakingly researched rare type books, publications, European metal type services,
Centrale Sans Font
Centrale Sans is a modern sans-serif typeface combining the geometric and the humanist models. It’s serious but friendly as well, ranging from Hairline to Extra Bold plus their matching italics it is a great addition to your type library. It
Lucida Bright Font
Designed by Charles Bigelow and Kris Holmes in 1993, Lucida Bright is a clean serif design released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Bright
Metronic Slab Narrow Font
Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind. This Family also improved the needs of developers and graphic designers
Richler Font
An open, evenly spaced book face designed for quality headlines and enhanced readability in text. Published by ShinntypeDownload Richler
Metrisch Font
Metrisch is new sans serif type family of seven weights plus seven italics uprights in each weights. The typefaces designed based on traditional geometric construction that have been built with letter size wider, the x-heights taller and short descender that
Woolworth Font
A modern sans serif font inspired by the grotesque designs of the late 19th century. Each letter has been developed with careful attention towards balance and purity of form, creating a clean functional and optically correct typeface. These handcrafted details create a
Glasgow Pro Font
Designed by Steve Jackaman & Ashley Muir. Glasgow Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Glasgow Pro family has been fleshed out with a glyph set that is over 40% larger than
Monolith Sans Font
Designed by Tony Mayers in 2004, Monolith Sans is a unique and modern sans-serif type design. Published by ABCTypesDownload Monolith Sans
Metronic Pro Font
Created by Olivier Gourvat in early 2013, Metronic Pro is a sans-serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its
Andes Rounded Font
Andes Rounded, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions,
Monolith Roman Font
Designed by Tony Mayers in 2004, Monolith Roman is a unique and modern serif type design. Published by ABCTypesDownload Monolith Roman
Norpeth Font
A modern humanist sans serif typeface. The proportions of each character have a strong lateral dynamic that makes it ideal for on screen uses. Also consistent stroke contrast is used throughout each weight to maintain an optical balance. Details include
Baufra Font
Baufra is a humanist sans-serif typeface. It is based on the sans-serif typefaces of the early 20th century. A characteristic feature of Baufra is its geometric design combined with an earthy naturalism. Baufra family includes 6 weights, 435 characters, manually
Libertad Font
Design can do without images, but not without typefaces. Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile
Globale Font
Globale, pronounced Globaal, is designed in two roman weights with matching italics. Small capitals and old style numerals have also been designed for the roman versions. In terms of style, Australian designer Scott Carslake has managed to capture an elusive