TT Jenevers is a modern serif with Dutch flavor. The font family features the characteristic details peculiar to Dutch serifs—these are the asymmetrical shape of serifs and an irregular slant of ovals. For example, in the letter “o” there is
TT Smalls is a geometric sans serif created for use in video clips and for video production. The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the
Bona Nova is a collective revival project of Bona typeface designed in 1971 by the author of polish banknotes Andrzej Heidrich. Besides giving the project a digital font form the aim was to expand the base character set: preparation of
TT Barrels is an elegant scotch style modern serif with strong industrial accents in its design. The TT Barrels project was born from a fictional technical assignment in which we tried to combine the technological effectiveness of industrial production used
TT Nooks is an experimental font family that includes a high contrast serif, TT Nooks, and an upright italic, TT Nooks Script. Despite the difference in style, both subfamilies get along well, which is partially thanks to their similar proportions.
TT Rounds Neue is a new modern look at the once popular TT Rounds and TT Rounds Condensed typefaces. At some point, we realized that the old “rounds” could no longer cope with the modern requirements for typefaces, and we
Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration that
TT Phobos is a pliable display serif with a soft and gentle character. The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals. In addition to
TT Tunnels is a glyptal modular font family with narrow proportions and a large number of pronounced visual compensators. In the basic version of the typeface, all glyphs have simple chopped shapes, created according to the usual geometric principles. In
Becky is a versatile display type designed to appeal to to a young audience of creative, up-to-date people. Geared towards the world of advertising and retail. It is well-suited for large headlines, branding, logos, publishing and short texts. With a
Just like Grandma’s recipe, Recoleta combines a variety of ingredients—from various popular 1970s typefaces—such as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor— mixed into one single design that features familiar yet fresh, modern
Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its
Blond is modern sans serif family with 22 members – 11 weights from Thin to Heavy with matching Italics. Distinctive, recognizable and uniform, Blonde family is well balanced typeface that will find appliance in any situation – from editorial design
Alliance contains 28 weights, 14 uprights, matching italics and contains over 592 glyphs with extensive Western, Central and Eastern European language support. Inspired by Industrial era types from the end of the 19th century, Alliance attempts to follow traditions of
TT Severs is a geometric grotesque with emphasized elements of internal brackets. A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing. TT Severs has a strong
Get stylish with Distinct Style, a fashionable and contemporary pair of signature & sans fonts designed to perfectly compliment one another. With a fast-flowing script font and a two-weight modern sans serif, the Distinct Style duo offers typographic harmony for
The best thing about Umba Slab is its surprise! UMBA Slab is a clean but eye-catching typeface designed by Anita Jürgeleit. It adds an amazing touch to your corporate design and titling by developing a more dynamic shape from thin
Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall