Tag: Impact

El Enra Rounded Font

El Enra is a bold and condensed typeface that is suitable for headlines, posters and titles. This is the rounded corners version — El Enra Rounded. Published by Hanken Design Co. Download El Enra Rounded

Alphabet Soup Font

Designed by Steve Jackaman. In the early 1980’s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced

Wells Grotesque Pro Font

Designed by Hal Taylor. Inspired by the H.G.Wells science fiction novel ‘War of the Worlds,’ first published in 1898. Wells Grotesque also contains Small Caps, Old Style Figures and alternate glyphs, plus all the high-end features expected in a quality

Destra Font

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. “Destra” is the Portuguese word for “right hand”. The font has several OT features

Basel Neue Font

Basel Neue is a legible and discrete typeface, a sans serif with thickness variation and humanistic touch. The family consists of 8 styles, 4 weights plus their respective italic versions. Download the “OT Features” pdf to know and take advantage

Impact Font

Impact is a realist sans-serif typeface designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry. Its ultra-thick strokes, compressed letterspacing, and minimal interior counterform are specifically aimed, as its name suggests, to “impact.” Impact has a

Signo Font

Signo is a dynamic sans serif with reverse contrast, designed for editorial and branding. Signo is a charismatic typeface for headlines, but its tall x-height and open counters also make it perform well in small sizes, resulting in a versatile

Alternate Gothic Font

Alternate Gothic was designed in 1903 by Morris Fuller Benton for American Type Founders (ATF). The idea was to provide several alternate widths of one design, namely Alternate Gothic No. 1, No. 2 and No. 3, to be more flexible