Tag: Impact
Titanic Condensed Font
Designed by Steve Jackaman, Titanic Condensed is based on an early wood type design. An original creation. Published by Red RoosterDownload Titanic Condensed
Motorcross Pro Font
Revival of the Ludwig & Mayer type design from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages. Published by Red RoosterDownload Motorcross Pro
Quest Font
Designed by Steve Jackaman. Loosely based on Dorsey, an English typeface by Alan Dempsey. Published by Red RoosterDownload Quest
Creighton Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Keyboard Font
Keyboard was designed by Paul Hickson. This elegant serif release is based on the original design, circa 1951. Copyright International TypeFounders, Inc. Published by Red RoosterDownload Keyboard
Directors Gothic 220 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Mechanic Gothic Font
Designed by Darren Scott. Based on character shapes with origins rooted in the work of 19th Century American wood type makers, DST Mechanic Gothic draws influence from the poster types found in the impactful advertising during the Industrial revolution. It
Didot Headline Font
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve
PowerStation Font
Originally conceived as part of a unique display design created for Hershey’s Times Square flagship store, the PowerStation family is the perfect choice when looking for a font that speaks of strength, solidity and character. It comes in two faceted
Triple Condensed Gothic Font
Designed by Steve Jackaman, Triple Condensed Gothic is based on an early wood type design. An original creation. Published by Red RoosterDownload Triple Condensed Gothic
Thorowgood Font
Designed by Robert Thorne in 1809, Thorowgood is an elegant and powerful serif type design. Published by URW Type Foundry GmbHDownload Thorowgood
Directors Gothic 250 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
URW Stark Font
Designed by Phil Martin in 1970, Stark is a decorative and retro styled font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload URW Stark
Generation Uncial Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Press Gothic Font
Press Gothic is a revival of Aldo Novarese’s Metropol typeface, released by Nebiolo in 1967 as a competitor to Stephenson Blake’s Impact (designed by Goeffrey Lee). Though Metropol enjoyed a few short months of popularity and use in Italy, Germany
Generation Gothic Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Chupada Font
Chupada is an ultra-condensed font family noted for their exaggerated x-height, which consists of five different weights, accompanied by their italic version. It contains all the central european characters and Cyrillic. Chupada with its bold semi-modular forms make it ideal