Tag: invitations
Avenida Font
Architect and designer John Chippindale was inspired by the lettering styles found on buildings constructed in Spain’s Andalucian region in the 1930s and 1940s when he created Avenida. The Art Deco, condensed geometric capitals are supplemented by a smaller, slightly
Becka Script Font
A wide casual typeface based on a refined brush stroke style makes this font suitable for a wide variety of large display work. For maximum visual impact, Becka Script should be closely letter and word spaced. Created by talented British
Aquitaine Initials Font
These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are used to provide exciting initialling complements. A unique style with
P22 Cigno Font
P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of
Carlton Font
Designed during the early 1900s for the Stephenson Blake Typefoundry, Carlton has recently become a popular roman alphabet again. It is used extensively in display sizes when a discreet, elegant appearance is needed. Carlton’s qualities are maximised by generous letter
Citation Font
Eminent British lettering artist Trevor Loane created this distinguished, all capital, Roman typeface. The elegant, stately letters evoke the effect of type incised in stone or slate. Excellent for work where an expensive, upscale appearance is desired. Published by LetrasetDownload
Coptek Font
Coptek derives its name from the high-tech, computer-generated look based on the traditional lines of a copperplate script. Once again David Quay has succeeded in making a difficult design objective work to good effect. The capitals are initials which provide
Bronx Font
A contemporary, highly stylized script style that captures the effect of a quickly rendered brush letter. The capitals are intended only for initialling purposes, but may be joined with the lower case letters, which can also be linked together. Bronx
Rapier Font
A dashing, contemporary script typeface with glossy appeal that’s bound to make its mark on the pop scene. For maximum effect, the lower case letters should be joined together. The calligraphic looking capitals make excellent initial compliments. Produced by distinguished
Willow Font
This fanciful, imaginative typeface is of the Viennese Secessionist style. The work of Scottish architect Charles Rennie Mackintosh inspired this condensed sans serif style with its rough edges and selection of alternative and ligatured letters. Due to renewed interest in
Erasmus Font
Designed by A. Pat Hickson, Erasmus is a serif font based on the S. H. de Roos typeface design, originally by Amsterdam Foundry in 1923. Published by Red RoosterDownload Erasmus
Squire Font
The letters of this unusual sans serif typeface offer a blend of formal and informal construction. Legible in large and small sizes, Squire is versatile across a wide variety of advertising applications. It’s a great choice for work such as
Rhythm Font
I hate the idea of revivals. I have publicly said I choose not to do revivals because they make me uncomfortable. This is as close as I have been to crossing my own line. To be direct, Rhythm is based
Jolly Roger Font
Steve Jackaman has refined and optimized Jolly Roger for digital release. The original design was created in 1970 by the legendary American type designer Phil Martin, founder and creator of the Alphabet Innovations and TypeSpectra type collections. Although quirky, playful