Tag: Italian

Kingsley Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley

Willard Sniffin Font

Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin

Gargoyle Font

Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle

1540 Mercator Script Font

This font was created inspired from the so called “Litterarum latinarum, quas italicas, cursoriasque vocant, scribendum Ratio” (Louvain 1540), a manual intended to calligraphers by the well known scientist Gerhard Mercator. It was a magnificent “Cancellaresca corsiva” pattern, enriched with

TT Octas Font

TT Octas is a narrowly proportioned font family built upon the principle of octagonal forms: all circles in this font family are actually octagons. Thanks to small serifs, TT Octas has a saturated and vintage character to it. Simple depiction

CA Capoli Font

CA Capoli is a fine script typeface with a vintage touch. Perfect for illustrative titles or logotypes. It comes in two styles, Regular and Stroke. The inspiration came during our trip to Italy, where we took a short rest in

Principe Font

“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to

Swanson Font

“Swanson” is the son of the swan. This doesn’t make a lot of sense to non-typedesigners so I need to explain. The late, great italian typedesigner Aldo Novarese designed around 1950 a typeface for Nebiolo that he called “Cigno” which

TT Blushes Font

Glitter, flashing cameras and fame – now you know how to deal with this stuff! Freshness and brightness is what defines the Blushes fontfamily, which is created for beauty and fashion industries. TT Blushes is a vibrant part of you

Binario Font

Binario is a simple and friendly font with three weights and matching italics (obliques). It is an excellent choice for giving a clean, unique, and modern look to headlines or body text. Use it for branding, menus, posters, magazines, and

Eleganza Font

“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.

Bodoni Classic Font

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of

Bodoni Classic Pro Font

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D).

Turismo CF Font

Inspired by midcentury motorsports, technology, and business, Turismo CF is designed for stunning logotypes and gripping headlines. Taking cues from both the 1960s and 1920s, Turismo combines strong rectangular shapes with sloping, elongated curves. Includes seven weights, upper and lower

Real Talk Font

Real Talk packs the same lip flapping smacks and pharyngeal grunts as any old nonsense. But while a baby can only babble, a grown man can mean something. Put words in perspective, located on the axes of breadth and depth,