Tag: Italian
Directors Gothic 220 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Didot Headline Font
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve
Directors Gothic 250 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Mostra Nuova Font
Mostra Nuova is based on a style of lettering often seen on Italian Art Deco posters and advertising of the 1930s. Mostra Nuova contains many alternate characters, representing commonly-found variations in Italian Art Deco lettering. They can be used in
Generation Uncial Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Archivio Font
Geometric letter forms are combined with some humanist touches creating a clear and legible typeface. Archivio family includes Sans, Slab, Italic, Back-slant and other experimental versions. Manually edited kerning and Opentype features with amazing swashes, alternates and beautiful ornaments, It
YWFT Morricone Font
YWFT Morricone is a combination of egyptian and italian slab serifs from the 1800s, with also simple geometric forms continuing from mid-century modernism. The design is a unicase setup, with alternates for the uppercase in the lowercase options. Although similar
Bauer Bodoni Font
The Bauer Bodoni is a variation of the Bodoni typeface and was released by Heinrich Jost in the year 1926 for the Bauer Type foundry in Frankfurt, Germany. Heinrich Jost was the artistic director of the foundry from 1923 to
Argus Font
Designed by Steve Jackaman, Argus is a serif design based on the popular 1968 VGC typeface. Published by Red RoosterDownload Argus
Bodoni Font
Bodoni is a classic serif release by URW, originally designed by type legend Giambattista Bodoni in 1798. This version of Bodoni contains language support for West, East, Turkish, Baltic, and Romanian. The typeface is classified as didone modern. Bodoni followed
Stirling Font
Designed by A. Pat Hickson, Stirling is a unique font designed with angled serifs. Published by Red RoosterDownload Stirling
Enyo Serif Font
Enyo is a decorative, display, serif handwritten font. This font will provide an informal look to your work! It can be used for small ammount of text, and specially for display usage because of its glyph quality. Enyo offers OpenType
P22 Il Futurismo Set Font
Italian Futurism (1908-43) was one of the 20th century’s first and most influential avant garde art movements. Futurist typography sought to disrupt traditional notions of harmony, space and composition on the printed page. The bold and jarring shapes of this
P22 Cigno Font
P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of
Bodoni Campanile Font
Bodoni Campanile was originally designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Campanile
URW Bodoni Font
URW Bodoni is a family of 50 serif typefaces first designed by Giambattista Bodoni in 1798. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased
Astoria Font
Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well