Tag: italic
Paihuen Pro Font
Paihuen Pro, is a graphic design inspired by rock lettering, containing different alphabets such as cyrillic support. Published by RodrigoTypoDownload Paihuen Pro
Bototo Family Font
Bototo Family is a typeface designed especially for children’s cartoons and graphics, is similar to an auction or a “foot” to make it more dynamic serif, contains the Greek and Cyrillic Rough and Italicas more style. Published by RodrigoTypoDownload Bototo
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Brogue Font
Brogue was designed to be a display typeface, but it can be used for a small body of text. At its core it is an uncial influenced typeface that has been allowed to stray from its roots. Embracing other alphabets,
Mensura Slab Font
Mensura Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2013. It is a modular, geometric typeface with subtle rounded angles that provides a soft, pleasant appearance. It has been conceived to be primarily a
Melany Lane Font
Melany Lane from Yellow Design Studio is a flourishy script based on traditional letterforms, but with the added quirks and warmth of hand-drawn type. The base character set has traditionally connected letters and an expressive charm. Contextual alternates add flair
Vicomte FY Font
Vicomte is a script typeface inspired by the american lettering style known as Engrosser’s script, Engraver’s script, or more commonly, Copperplate. Designed as “engraving on paper”, Engrosser’s script letters were carefully and slowly built-up in several strokes with a pointed
Libertad Font
Design can do without images, but not without typefaces. Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile
Charter Oak Font
Charter Oak is a unique and creative font release by the German type foundry, URW. Published by URW Type Foundry GmbHDownload Charter Oak
Macabro Family Font
Macabro Family is a grunge typography, handmade whose concept, fear terror phobia among others, Cyrillic and Greek are also design also has several varieties, from italic, outline, rough, etc. .. dingbat Published by RodrigoTypoDownload Macabro Family
Origins Font
Based on letters hand-drawn with a crow quill on parchment paper, Origins combines calligraphic grace and antique ambiance. Its tight, energetic angularity can be complemented with swooping swash capitals, alternate ascending and descending letterforms, and graceful ending characters. Origins sings
Froh Family Font
Froh Family is a typeface that has the concept to be a bit naughty playing with its various forms and contain Greek and Cyrillic. Published by RodrigoTypoDownload Froh Family
Aston Font
Aston is a fantastic serif display typeface which is applicable for any type of graphic design – web, logo, print, motion graphics, etc. This font is unique and fresh with it`s creatively implemented organic elements. Published by FontfabricDownload Aston
Argumentum Font
The intention was to make a technical-looking sans with a warmer feel to it, balanced between hard geometric shapes and friendly curves with slightly narrower endings. It should be useful in a wide range of tasks, whether combining the eight
Talbot Font
Talbot is a connecting script with influence of car logo design. Works great in retro styled projects. Published by Suomi Type FoundryDownload Talbot
Rosarian Font
Rosarian celebrates the signpainterly grace of the pointed brush. Ink flows expressively from thick, rounded downstrokes to thin, delicate hairlines. Rosarian presents sensually rounded letterforms and distinctively doubled-up connections on the a, g, q, and u. Elegant swash capitals and
Fellowship Font
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer's left-handed calligraphy. It was designed and cut in 24 p in the early 1980s, then cast as foundry type on