You can’t Play Time, player. Time does not play. Mess around and it runs out, like quarters on a countdown. Try to hold it and it slips past, greasy and sinuous, leaving you falling, like leaves of a lost season.
Magehand is a script font design published by Arief Setyo Wahyudi Published by Arief Setyo WahyudiDownload Magehand
Panforte Serif is the serif companion of Panforte Pro: a prime-cut font family, deliciously readable online and offline, space-saving and organic, appealing to hipster consumers and seasoned gluttons. Published by ZetafontsDownload Panforte Serif
He takes the novice’s hands in his hands and forgives his fumbling. Decades removed from that seat, but only months from his journeyman toil, the Master Works on his apprentice: Shaping hands to shape hands, such that eyes may perceive
Diploma Script was born from merging classic calligraphy and contemporary tools. The Copperplate style, which served as baseline for the development of the font, mixes harmoniously with brush pen drawing techniques that give Diploma Script a modern touch. The typeface
TT Travels is a geometric grotesque with wide proportions and peculiar shapes of circles and brackets. TT Travels incorporates two stylistic sets which add completely different characters to the type family. The first set ss01 (aka salt) makes the font
Say it softer with Solitas Serif. Perfect for the designer needing a serif without the stiffness, Solitas Serif will turn your reader’s eye with its slight serifs and rounded corners. This softer version of the curves found in Solitas and
Kindentosca is a handwritten typeface that contains 2 styles: Regular with the distance between letters slightly apart, Condensed with the distance between the letters a little close. Kindentosca Comes with a set of characters that support different languages and is
Kandin is a modern geometric sans inspired by Scandinavian interiors. With a cool and collected feel and low-key luxury, Kandin has a crisp and uncluttered feel providing legibility with strong doses of aesthetic pleasure. Being one of the most static
Quiroh is a functional typeface that expresses both artistic life and emotion. Taking its inspiration from the industrial revolution of the 19th Century where romance and science coincided. With a cushioned finish and designed according to traditional conventions, the sentiment
Veotec is a classic humanist sans that skilfully works for both screen and print due to its steep and precise angles enabling more negative space. Not only does this methodical approach improve legibility and readability at small sizes, it allows
Visby Slab is a geometric slab serif built on the popular Visby font family. Fun to use and delightfully expressive, Visby Slab is vibrant and strong in all of its eight weights, and features true italics and wide language support.
Bakerie is a handwritten script type family of 42 fonts, consisting of 7 weights, 3 widths, and 2 versions. Designed to be a hard-working, genuine handmade set of scripts that are useful in a variety of settings. The lighter weights
Excentra Pro, being a sans serif inspired by the typefaces of 1920s, features the humanistic stroke variation with inclined axis. The peculiar elegant drawing makes Excentra Pro suitable for use in magazines as well as in all kinds of branding
Pensum Display is the triangular and spiky packmate of text monster Pensum Pro. Designed to be used for anything big and for nothing that isn’t big, Pensum Display is a sharp, high contrast design ready to take on display and
dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but
Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has
TT Backwards is an experimental font project inspired by the USSR typography and fonts of the late 70s and early 80s. Shop signs, posters, and book design—this is where we drew the inspiration for our project from. TT Backwards consists