Tag: legible

Contenu Publishing Suite Font

Contenu is the new book font family designed for an upcoming book on book family design. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has

Garden Gnome Font

I am not really fond of Garden Gnomes, but this font is kinda cute and I figured it’d be a nice name. Garden Gnome is a very happy, easy to read Children’s Book font. It is bouncy, rounded and comes

Coal Brush Font

Coal Brush is a bit of a misleading name. It looks as though it was made with a brush, but it was, in fact, made with a almost dried out old marker pen. But a font named ‘dried out old

Face Your Fears Font

Face Your Fears was created using a brush, paint and ink and a lot of paper. Due to the horror-like nature of Face Your Fears, the font looks great on websites, games and – of course – halloween cards. It

Scrawny Cat Font

Scrawny Cat is a bit of an unusual font: it was made with a brush and some China ink and has no real baseline. It is messy yet legible and in a strange way beautiful. The font is all caps,

Toverheks Font

A Toverheks in Dutch means ‘witch’ – well, actually it means ‘magic witch’ (it doesn’t translate well). The reason for this kind of weird name is the nature of the font: it reminded me of a book of spells –

Kinsey Font

Kinsey is inspired by traditional typewriter font styles. Although now largely consigned to history, the bulbous slab serifs and soft curves of typewriter fonts have left a lasting legacy; they’re paradoxically easy on the eye, yet utilitarian and business-like. Kinsey

Bocadillo Font

A Bocadillo is a sandwich. I guess I was craving one when I had to name this font! Bocadillo is a sweet Brush script. It is all caps, but upper and lower case are different and like to mingle. It

Buddy Font

Buddy is the new companion sans for Contenu, the book font family designed for an upcoming book on book family design. It has the same vertical metrics as the Contenu families, so it fits perfectly in run-in heads, nested styles,

Snippity Snap Font

Snippity Snap is a font made up of glyphs I cut out from black paper with some household scissors, then pasted onto white paper. When I was cutting out the shapes, my children asked me what I was doing, and

Paradise Lost Font

Paradise Lost is a 1667 poem by John Milton which mostly concerns the Biblical story of the Fall of Man, Eve’s temptation by the devil and the expulsion of Adam and Eve from Eden. It’s quite a hefty read, as

Notaris Font

Notaris (‘Notary’ in Dutch) is a hand-drawn, all caps didone-style typeface. It is a little rough, a little uneven, but lively and elegant as well. Comes with an abundance of diacritics and, lo and behold, some end-ligatures as well. Published

Liquid Embrace Font

Liquid Embrace is a rough ‘n’ ready brush font. It was created using a Chinese calligraphy brush and Royal Blue Ink (I had run out of black…). Liquid Embrace is fat and in your face, making your message stand out

Closet Skeleton Font

Some time ago I stumbled upon a little book called ‘De Sprookjeshoorn’ (‘Horn of Fairy Tales’) by Anton Eijkens (1920 – 2012). It was published in 1946 and contains several authentic and unique fairy tales – unfortunately unreadable to modern

Jambo Font

Jambo (‘hello’ in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a