Tag: legible
Contenu Publishing Suite Font
Contenu is the new book font family designed for an upcoming book on book family design. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has
Garden Gnome Font
I am not really fond of Garden Gnomes, but this font is kinda cute and I figured it’d be a nice name. Garden Gnome is a very happy, easy to read Children’s Book font. It is bouncy, rounded and comes
Kaleko 205 Font
Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean,
Scrawny Cat Font
Scrawny Cat is a bit of an unusual font: it was made with a brush and some China ink and has no real baseline. It is messy yet legible and in a strange way beautiful. The font is all caps,
Toverheks Font
A Toverheks in Dutch means ‘witch’ – well, actually it means ‘magic witch’ (it doesn’t translate well). The reason for this kind of weird name is the nature of the font: it reminded me of a book of spells –
Kinsey Font
Kinsey is inspired by traditional typewriter font styles. Although now largely consigned to history, the bulbous slab serifs and soft curves of typewriter fonts have left a lasting legacy; they’re paradoxically easy on the eye, yet utilitarian and business-like. Kinsey
Bocadillo Font
A Bocadillo is a sandwich. I guess I was craving one when I had to name this font! Bocadillo is a sweet Brush script. It is all caps, but upper and lower case are different and like to mingle. It
Korbin Font
Inspired by the sans-serifs of the late 19th and early 20th century, Korbin is a legible and versatile text and display face available in five weights. It mixes geometric and humanist traits to achieve a modern, clean, friendly appearance. The
Buddy Font
Buddy is the new companion sans for Contenu, the book font family designed for an upcoming book on book family design. It has the same vertical metrics as the Contenu families, so it fits perfectly in run-in heads, nested styles,
Snippity Snap Font
Snippity Snap is a font made up of glyphs I cut out from black paper with some household scissors, then pasted onto white paper. When I was cutting out the shapes, my children asked me what I was doing, and
Kessel 105 Font
Kessel 105 is inspired by the classic, geometric sans-serifs such as Futura, but has shallower ascenders and descenders for a more compact look, and features an art deco influence with sharp points at the apex of many characters. It’s a
Paradise Lost Font
Paradise Lost is a 1667 poem by John Milton which mostly concerns the Biblical story of the Fall of Man, Eve’s temptation by the devil and the expulsion of Adam and Eve from Eden. It’s quite a hefty read, as
Notaris Font
Notaris (‘Notary’ in Dutch) is a hand-drawn, all caps didone-style typeface. It is a little rough, a little uneven, but lively and elegant as well. Comes with an abundance of diacritics and, lo and behold, some end-ligatures as well. Published
Closet Skeleton Font
Some time ago I stumbled upon a little book called ‘De Sprookjeshoorn’ (‘Horn of Fairy Tales’) by Anton Eijkens (1920 – 2012). It was published in 1946 and contains several authentic and unique fairy tales – unfortunately unreadable to modern
Jambo Font
Jambo (‘hello’ in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a