Tag: legible
Veronese Font
Designed by Steve Jackaman, Veronese is based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris Golden Type. Published by Red RoosterDownload Veronese
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Roller Font
Designed by A. Pat Hickson, Roller is a retro font design based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942. Published by Red RoosterDownload Roller
Garamond Font
Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond
Silverado Font
Designed by Steve Jackaman, Silverado is based on a classic serif type design called Eldorado. Published by Red RoosterDownload Silverado
Waverly Font
Waverly is a round and soft serif designed by Les Usherwood, digitally engineered by Steve Jackaman. Published by Red RoosterDownload Waverly
Leighton Font
Designed by Paul Hickson, Leighton is a clean serif based on Lectura, a design by Dick Dooijes of the Amsterdam Foundry (1966). Published by Red RoosterDownload Leighton
Hess Old Style Font
Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old Style
Kingsrow Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Bellini Font
Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini
Modernista Font
“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started modern
Gerlach Sans Font
As the foundry’s new flagship family, Gerlach Sans was named after the highest peak in Slovakia. Its functional design is enhanced by a few subtle ingredients, adding life and giving words a more playful voice. The family has eight weights
Ultra Modern Font
Designed by Douglas C. McMurtrie and digitally engineered by Steve Jackaman, Ultra Modern is based on the original Ludlow drawings, circa 1928. Published by Red RoosterDownload Ultra Modern
Wurlitzer Pro Font
Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer Pro
Kingsley Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley
Sinclair Font
Designed by A. Pat Hickson, Sinclair is an original script design released by Red Rooster. Published by Red RoosterDownload Sinclair
Willard Sniffin Font
Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin