Tag: legible
Gilmore Fahrenheit Font
Gilmore Fahrenheit is an original font design by A. Pat Hickson and Steve Jackaman for the Red Rooster Collection. Published by Red RoosterDownload Gilmore Fahrenheit
Gargoyle Font
Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle
Kylo Sans Font
A carefully blended sans serif one part humanist, one part grotesque and a small dose of geometric. Kylo Sans takes the essence of three distinct forms to create a unique, readable typeface with an exact and understated personality. Further, enhancements
Ela Swashes Font
“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela
Scrans Font
Scrans (Script + Sans) is a modern script family that gets both, conceptual and formal elements, from classic rational and geometric styles. It’s main purpose is to make the difference in an innovative manner. In other words, you can use
Steak Font
Here I am, once again digging up 60-year sign lettering and trying to reconcile it with the typography of my own time. The truth is I’ve had this particular Alf Becker alphabet in my sights for a few years now.
Morning News Font
“Morning News” is the sister font of “Evening News” which I designed some years ago for use with my local newspaper “Abendzeitung”. “Morning News” is an adaption, a little bit rounder, which gives the font a much softer touch. The
Latina Font
Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus
Opificio Font
Opificio is a geometric sans serif with 3 weights, light regular and bold, available also in rounded style. Published by MonofontsDownload Opificio
CA Normal Font
CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. It merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving
Haboro Slab Font
Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is
Sabler Titling Font
Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper
1543 Humane Jenson Font
In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was
Monem Font
“Monem” is the word for “the smallest significance-carrying part of a language”. I thought that was a good name for a clean, straightforward Sans typeface. “Monem” is very sturdy and usable for lots of occasions. I am using this font
Edito Font
“Edito” is a completely new body copy-font. The special thing about this font is, that all serifs have the same height. So no matter if you take the thinnest cut (A) or the fattest (F), you will always have aligning
2011 Slimtype Font
This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish specific characters, plus old style numerals, ct, st and f
Julienne Font
Cooks call thinly cut – like matchsticks – vegetables »Julienne«. I found that was a fitting name for this very narrow typeface. Julienne Slim is the extreme cut of the two. Personally I do not use narrow typefaces very often,