Tag: legible

Wurlitzer Pro Font

Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer Pro

Kingsley Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley

Willard Sniffin Font

Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin

Leuk Font

As a graphic designer, I know all too well designers are always looking out for that elusive font that is “normal” but has a slight uniqueness about it. This was my challenge in designing Leuk: to find a unique feature

Gilmore Fahrenheit Font

Gilmore Fahrenheit is an original font design by A. Pat Hickson and Steve Jackaman for the Red Rooster Collection. Published by Red RoosterDownload Gilmore Fahrenheit

Gargoyle Font

Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle

Kylo Sans Font

A carefully blended sans serif one part humanist, one part grotesque and a small dose of geometric. Kylo Sans takes the essence of three distinct forms to create a unique, readable typeface with an exact and understated personality. Further, enhancements

Ela Swashes Font

“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela

Morning News Font

“Morning News” is the sister font of “Evening News” which I designed some years ago for use with my local newspaper “Abendzeitung”. “Morning News” is an adaption, a little bit rounder, which gives the font a much softer touch. The

Latina Font

Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus

Opificio Font

Opificio is a geometric sans serif with 3 weights, light regular and bold, available also in rounded style. Published by MonofontsDownload Opificio

CA Normal Font

CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. It merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving

Haboro Slab Font

Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is

Sabler Titling Font

Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper

1543 Humane Jenson Font

In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was