Tag: legible

Soft Times Font

“Soft Times” has been easy on my nerves after the strain of “Hard Times”. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for “HardTimes”. Published by Wiescher DesignDownload Soft

Alpha Delta Font

“Alpha Delta” the standard paperclip is the basic idea behind this font. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Published by Wiescher DesignDownload Alpha Delta

URW Geometric Condensed Font

URW Geometric Condensed is the matching complement for the URW Geometric. Including 20 additional condensed styles the URW Geometric Condensed is the space-saving alternative in the URW Geometric family. URW Geometric is a sans serif typeface inspired by the German

Bronkoh Font

A subtly softened sans, Bronkoh aims to give a friendly face and soft touch to type both onscreen and in print. Humanist forms and generous apertures make this a sturdy and legible face while it's softened curves and terminals give

Viata Font

“VIATA” is my new experimental Sans again based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “VIATA” has flat tops and round bottoms,

Breathless Font

“Breathless” was inspired by movie posters of the “Nouvelle Vague” era. When Jean Seberg and Jean-Paul Belmondo were young and films in black and white. So I named this very spiky affair after that phantastic movie of my youth “A

Noticia Font

“NOTICIA” is my new Sans based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “NOTICIA” is different in its proportions and long ascenders

Avea Font

“AVEA” is a new, elegant, friendly and open minded font– designed by Gert Wiescher in 2015 – it has 7 weights with corresponding oblique cuts. “AVEA” is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters,

Hinton Font

Hinton is a modern, clean text font, that contains 840+ characters & many Opentype features. It is calm, orderly and a bit perky. Hinton has a lightweight and pleasant design, so it fits well and easy to read. Its characters

Eleganza Font

“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.

Franklin Gothic Hand Font

Franklin Gothic Hand Demi Shadow is another one in my series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. This one was especially used for what we called “pork-belly-ads”: ads

Hard Times Font

“Hard Times” has been hard work, designing a handmade typeface must always have the right balance between rough and smooth, specially with this Times-like face. It has the big European glyph-set, so that it can be used all over the

Vedo Font

The name “Vedo” is derived from the Latin word for “I see”. Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The “Thin” cuts are free of charge. Yours designing new fonts in the Bauhaus

Bodoni Classic Font

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of

Supra Classic Font

“Supra Classic” designed by Gert Wiescher in 2014 – has 10 weights with corresponding italic cuts. The designs elegant contrast in the up- and downstrokes makes for better legibility and a pleasing personality. The dominant x-height with its high ascenders

Supra Condensed Font

“Supra Condensed” designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The

Orbis Pro Font

Walter Brudi’s elegant shadowed display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets. Published by RMU TypedesignDownload Orbis Pro

Supra Demiserif Font

“Supra Demiserif” is the demi serif addition to the Supra family. I am no fan of slab serif fonts, so I designed this one with half serifs, that makes the serifs less important. Then I found, that the italic does