Tag: legible
Toms Finger Family Font
This family is meant to be slightly irregular but very legible in it’s readability at various sized. It is a rounded letter which gives a smooth, warm feel to it’s voice. Great for notecards, letters, informal messages, cartoon balloons, garage
Lyrica Font
The 1910 Ludwig & Mayer font Lyrisch was redrawn and redesigned and given the name Lyrica. This cozy and familiar blackletter font is ideal for all informal purposes, giving your jobs a special kick and touch of romance. Published by
Workaday Font
Workaday from Yes Please is a bold and clean contemporary take on the classic American Sans Serif. Inspired by the wildly varied history of early to mid 20th century American signage, aircraft markings and industrial shipping vernaculars, Workaday exudes a
Violenta Slab Font
Violenta Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2015. It is a display, geometric typeface, with a condensed design and sharp angles that provides an aggressive and strong appearance. Violenta Slab consists of
Itoya Font
Itoya is a contemporary sans serif font influenced by Western and Japanese ideologies. A fusion of modern machine-like functions with a warmer, emotional and more spiritual ethic. The marriage of a western precision and eastern expression forms a sharp functional
Stolzl Display Font
Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant
Lucida Font
Lucida is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes in 1985. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida
Basil Font
A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects – editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed
Libertad Office Font
Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile font for different uses. This special package is a
Sybilla Font
Sybilla is a robust, yet friendly, humanist slab serif well suitable for broad range of design projects. A true workhorse and superb text type family, Sybilla was especially designed with legibility in mind. Its soft almost cursive shapes and generous
Aaux Next Cond Pack A Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Decima Nova Font
Decima Nova is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and identity design. Published by
Basel Neue Font
Basel Neue is a legible and discrete typeface, a sans serif with thickness variation and humanistic touch. The family consists of 8 styles, 4 weights plus their respective italic versions. Download the “OT Features” pdf to know and take advantage
Spumante Font
A slim, semi-connected script with lithely upright curves, Spumante conveys the casual effervescence of its namesake wine. Smoothed brush-script letterforms bounce gently along the baseline, and letters vary slightly in their slant— characteristics that combine to create a very human
Fantasy Font
As Typesenses believes that `Letters need a touch of Magic´, Sabrina Lopez presents her new creation, a burst of innovation: Fantasy. This display font arises from the mix between Roman Style and Lombardic Decorations, with a little air of Medieval
Justus Pro Font
Justus Pro is a modern Egyptienne with a humanistic touch. It avoids the slightly rustic character of older Egyptienne designs and, despite its distinctive forms, develops a high level of elegance and readability. Designed by Volker Schnebel for the Digital
URW Latino Font
Designed by Hermann Zapf in 1990, URW Latino is an antique, heavy and slab-like serif. Latino contains a very classic and elegant feel, works great for important and high end design projects. Published by URW Type Foundry GmbHDownload URW Latino