Tag: legible
Neology Font
Variety is favored in many areas, particularly for activities which extend over time. Humanity balks at the prospect of the straight road, the assembly line, the prison cell – we are designed to respond to stimuli which vary; inertia generates
Saya FY Font
Saya FY is a fresh sans serif font suitable for text and display use. The lightly condensed letterforms are built up of a harmonized mix between well rounded curves and pointed endings. These calligraphic details afford a unified structure in
Belleville FY Font
Belleville FY is an original 16 retro and modern fonts family, inspired at the same time by New art movement, graffitis, 19th century wood type, and modern slab fonts. Each style has specific shapes and serifs which give it a
Crique Grotesk Font
The Crique Grotesk This contemporary typeface is inspired from Neo-humanist and Geomatric industrial tone presented the late 2000s typeface. The font family is also composed of the normal width and display width in order to support the different applications on the delicate
Kumiz FY Font
Kumiz FY is a friendly typeface with very generous and absolutely creamy forms. The extra smooth shapes remind to its brush pencil origin and give it a special dynamic characteristic. Kumiz FY fits very well with unctuous food packaging and
Cera Stencil PRO Font
Cera Stencil Pro is part of the Cera Collection is driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. Cera Stencil, with six weights, useful dingbats and arrows,
Cera PRO Font
Cera Pro is part of the Cera Collection driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. With six weights, a clean italic – carefully slanted 10 degrees
Webnar Font
Webnar is a modern geometric sans serif font family of 7 weights, including italics, created with information and technology in mind. It is a functional, versatile and highly legible typeface designed to perform well in print and on screen. Webnar
Millar Font
An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol. Published by The Northern
LeanO Sans FY Font
LeanO Sans FY is the newest companion of our existing font LeanO. This beautiful sans serif keeps the same width & weight and continues certainly some particularities like for example the big tail of the Q and the rounded K.
Aaux Next Cond Pack B Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Aquinas Font
Leading British designer David Quay created this elegant Roman typeface with strong, classical letterforms. Aquinas creates a graceful, rough edged pen-on-parchment effect and is the perfect choice where an expensive, upscale look is required. Published by LetrasetDownload Aquinas
LeanO FY Font
Lean-O FY, an original Slab-serif with asymmetrical and slightly leaned serifs. This unconventional typeface is developed in 5 styles. While the extreme weights like Thin and Black are perfectly adapted for display use, the regular weight presents a good legibility
Minuit FY Font
Minuit FY is a new script font inspired by medieval calligraphic elements. The very condensed forms have short ascenders, which affords a high x-height. Comes out in three weights from light to bold, Midnight will certainly bring pleasure to all
Muller Font
The very first sketches of Muller were made about four years ago. In the process, they changed to the point where they had nothing in common with the original idea. As it is with most work we do, when we
Paradigm Font
Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new media of a much previous era, Nick Shinn deconstructed the first roman type,
Lucida Handwriting Font
Designed by Charles Bigelow and Kris Holmes in 2003, Lucida Handwriting is a script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Handwriting