Tag: legible

Portobello Font

Designed by Steve Jackaman, Portobello is loosely based on Pontecorvo, a design by Aldo Novarese. Published by Red RoosterDownload Portobello

Graphicus DT Font

Graphicus DT is a sans-serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Graphicus DT

Gilman Sans Font

Gilman Sans is the family member of Gilman, the serif that it was derived from. The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality

Brigade Font

In searching for a Roman to use there were bits of Bembo,Times,Garamond etc., that I liked and bits that I did not. So I set out to take the best bits of all my favourite Romans and tried to create

Besley Hand Font

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Besley Hand is a slab serif that goes well with the sans serif Trango. Published by Juraj ChrastinaDownload Besley Hand

Rowton FY Font

Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez,

Bommer Slab Font

Bommer project started in January of 2014 and I am happy to announce the first family – Bommer Slab – is now ready for release. This family includes 14 weights – been seven uprights and seven italics. This font has

Bodoni Egyptian Pro Font

Beneath the dominant signifier of identity, a surprising dimension of Bodoni is revealed its core architecture, stripped of the famous high contrast cloak. Further subverting typographic norms, a monoline of even width (in all but the heaviest weights) here describes

P22 Hedonic Font

Hedonic has just a hint of a slab serif and even that is used so sparingly that it almost feels like a sans serif font. Its design does appear to be painfully simple, but there are many interesting features including

Gaslight Font

Gaslight is the result of a desire to create a sans-serif rich with humanistic charm and lyrical curves, to provide some relief from the highly rational, low-contrast faces we’re surrounded by at every turn. Gaslight can lend an old-fashioned elegance

PF Handbook Pro Font

This typeface is the result of an attempt to modernize DIN, by introducing round smooth corners and distinct design elements to several characters like ‘a, g, k, m’, without compromising legibility. In order to retain its sharpness, inner corners as

Quars Font

Quars has a strong personality with elegant, sharp and contemporary features. This typeface comes from several subtle influences, from the contrast of the Scotch Romans to the sharpness contemporary Dutch designers. Quars is crystal clear and neat, full of subtleties,

Monsal Font

A sans-serif typeface with clean and simple proportions. The design pays special attention towards balance and purity of form, creating a functional yet elegant typeface suitable for a wide variety of modern applications. Details include 9 weights, an extended European

Hoxton Font

A modern humanistic san serif typeface. The horizontal structure of the font gives it a clean lateral dynamic that is ideal for on screen uses. Also the proportions have been condensed to maximise the use of space across various layouts.

Beval Font

A humanistic sans-serif typeface with subtle chamfer detailing. It’s strong lateral emphasis is combined with open apertures to create sharp and legible letter forms. These balanced and narrow proportions make it ideally suited to a variety of online applications. Details