Tag: legible
Harry Pro Font
This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith). Goldstein, born in Chicago in 1939, was the co-founder of the groundbreaking Creative Black Book. He graduated from the Pratt Institute in 1960. Harry,
Carlton Font
Designed during the early 1900s for the Stephenson Blake Typefoundry, Carlton has recently become a popular roman alphabet again. It is used extensively in display sizes when a discreet, elegant appearance is needed. Carlton’s qualities are maximised by generous letter
Baskerville Old Face Font
Baskerville Old Face is a classic and elegant serif font, originally designed by John Baskerville in 1768. Baskerville Old Face contains West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry GmbHDownload Baskerville Old Face
Soin Sans Pro Font
Soin Sans Pro is a clean and modern sans-serif design by Stawix Ruecha. Published by STAWIXDownload Soin Sans Pro
Egon Sans Font
Egon Sans is a geometric sans serif typeface family built in ten styles – extra-light, light, regular, bold and black weights in roman and italic respectably. Egon Sans is an extension of Egon (Slab Serif) family, designed in 2008. The
Bodoni Campanile Font
Bodoni Campanile was originally designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Campanile
Magneta Condensed Font
To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like
URW Bodoni Font
URW Bodoni is a family of 50 serif typefaces first designed by Giambattista Bodoni in 1798. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased
Futura No 2 Font
Futura No. 2 is Letraset’s version of Futura from the 1980s, digitized by and at URW in opentype format. Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque
Steelplate Gothic Font
Designed by Steve Jackaman, Steelplate Gothic is a decorative/outline font based on the Robert Wiebking design for either Western or BB&S, circa 1918. Published by Red RoosterDownload Steelplate Gothic
Eigerdals Font
Eigerdals is a pleasant and visually warm sans-serif type family. Eigerdal is a soft and amiable face, perfect for when you want to convey a relaxed and pleasant feeling. Eigerdals features a smooth, brushed impression and a tall x-height. The
Brownstone Sans Font
One design sparks another. As Alejandro Paul experimented with the strokes and curves of the monoline script Business Penmanship, he discovered interesting new forms and shapes that didn’t fit the Spencerian theme of that typeface. These forms simmered in Ale’s
Karmina Font
Karmina is a text typeface developed mainly for pocket books and budget editions. It was built to withstand the worst printing conditions: low quality papers, high printing speed with web presses and variations in the ink level of the printing
Directors Gothic 210 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Citation Font
Eminent British lettering artist Trevor Loane created this distinguished, all capital, Roman typeface. The elegant, stately letters evoke the effect of type incised in stone or slate. Excellent for work where an expensive, upscale appearance is desired. Published by LetrasetDownload
Gilman Font
The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality typeface digitally, I decided to first draw the complete alphabet by hand on paper, and