Tag: legible
Wordsworth Font
Wordsworth is a beautiful American styled serif originally designed by Phil Martin in 1973. Works great in elegant and or masculine styled design projects. Published by URW Type Foundry GmbHDownload Wordsworth
Stratford Font
Designed by Freda Sack in 1979, Stratford is a fine serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Stratford
Cotoris Font
Cotoris is beautiful glyphic sans serif. This font include ligatures and small capital for advanced typography. Highly effective where a graceful and feminin design is desired. Published by Dharma TypeDownload Cotoris
Appleyard Font
Designed by A. Pat Hickson, Appleyard is loosely based on the typeface Prumyslava, an older Monotype design. Published by Red RoosterDownload Appleyard
Mensura Font
Mensura font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is a modular, geometric typeface with subtle rounded angles that provides a soft, pleasent appearence. It has been conceived to be primarily a display
Magneta Font
To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like
Inverness Font
Designed by Paul Hickson. In the 1930s, it was popular to take day-trips by train to the seaside in the British Isles. Many posters were designed by the various regions to advertise these excursions; it is from one of these
Bodoni No 2 Font
Bodoni No 2 was originally designed by Morris Fuller Benton in 1928. This version of Bodoni contains language support for West, East, Turkish, Baltic, and Romanian. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville,
Sylar Font
A linear modern typeface with smooth corners and offset angles. The intention was to create a font that combines unique character styling with simple functionality. The typeface is suited for variety of graphic design applications including print, web, motion, t-shirts
Ryder Gothic Pro Font
Designed by Steve Jackaman & Ashley Muir. A revival based on the Harry Winters design ‘Roslyn Gothic’ released by VGC in 1972. We’ve added a new light weight and several alternate glyphs. Ryder Gothic contains all the high-end features expected
Handel Slab Font
Designed in 2009 by Ralph M. Unger, Handel Slab is an interesting slab serif design with a slight technical and digital feel to it. Published by URW Type Foundry GmbHDownload Handel Slab
Bodoni Antiqua Font
Bodoni Antiqua is a classic serif typeface, designed in 1985 by URW Studio (Giambattista Bodoni). Delivered in opentype format, it contains support for West, East, Turkish, Baltic, Romanian character sets. Published by URW Type Foundry GmbHDownload Bodoni Antiqua
Modern Extended Font
Originally created by Monotype Studio in 1902, Modern Extended is a classic serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Modern Extended
Backtalk Serif Font
Backtalk Serif is a clean geometric serif font family that takes a clean simple straight-forward approach to legibility. Inspired by humanist and geometric letterforms, the Backtalk family creates its own honesty with a hint of personality. Published by Breaking The
Dharma Slab Font
Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will
Directors Gothic 240 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Karnak Pro Font
Based on the original design by Robert Hunter Middleton. We completely redesigned the italic weights of Karnak, because the original versions just did not look right. For good measure, we decided that the family also needed a bold weight. Digitally