Tag: legible
Ballarih Font
Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,
Atonement Font
Atonement is a splattery, scratchy font. I made it with a steel nibbed pen, a brush and some Chinese ink. I based it on my fonts Ravenheart, Qilin and American Grunge – mostly because I really like them. Of course,
Bearskin Font
NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner. I have no idea why I called this font Bearskin: maybe I was influenced by
Scanno Font
Scanno is a modern sans serif typeface that comes in eight weights and one condensed. Each weight has an oblique. It is a versatile family that is suitable for body, headline, and display text on screen or in print. Its
Bitterbrush Font
I needed a name with ‘brush’ in it and most have already been taken, so I did a little digging and found out that Purshia tridentata, a flowering plant native to the mountainous areas of western North America is called
Runaround Kid Font
I was listening to some old Smashing Pumpkins albums when I created this font. The name comes from a song called *** You (An Ode To No One). Runaround Kid is a hand painted typeface. I used Chinese ink and
Binaria Font
Binaria font family has been designed for Graviton Font Foundry by Pablo Balcells in 2018. It is a sans serif typeface with a mechanic appearance. Its squared, angular shapes provide a futuristic and robust design. It has been conceived to
Criteria CF Font
Criteria CF is a geometric sans built with simple, efficient construction. Straight lines and clean circles combine with a tight vertical design that allows for cleanly-stacked lowercase text, striking headlines, and bold word marks. Hints of Swiss style and unconventional
Govia Sans Font
Let’s have some fun! Govia Sans adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font family – thus, Govia Sans might be the perfect choice for toys, books,
Elaina Family Font
Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at
Config Font
Config is a condensed geometric sans serif family consisting of 40 fonts in 10 weights plus italics. The Config typeface was influenced by geometric sans serifs with circular forms on the tops and bottoms of characters, but the proportions have
Bumpo Soft Font
Bumpo Soft is a chunky and a fun display typeface family with rounded edges. It is the softer version of Bumpo. With an extra heavy but friendly personality, Bumpo Soft works well for posters, food packaging, children’s products and books,
Ancora Font
I’m happy to announce the complete version of Ancora, a typeface I designed back in 2013. Ancora is a sans serif typeface with a distinctive style, inspired by the imagery in the production of the famous Port wine, such as
Klamp 105 Font
Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a
Rama Slab Font
Rama Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 18 styles will
Draft Font
Draft from Yellow Design Studio is a 144-font powerhouse type suite that’s smooth and confident with a decidedly modern edge. It features nine weights (Hairline to Black) and eight widths (A to H) for ultimate flexibility and fine-grain control. With
Cagliari Font
An elegant, stylish and easy-to-use typeface. Just as a nice hat makes you look good, Cagliari brings beauty to your designs—through the traditional flavor of Didone faces, and the simplicity of Modern and neo-Grotesk fonts. The font is based on
Autumn Voyage Font
Autumn is my favourite time of the year: I love the colors in the forest, the colder temperature and the stormy winds. Autumn Voyage is a very nice set of hand made fonts: a fat one, a thin one and