Tag: legible

Dharma Gothic P Font

Dharma Gothic P font family is designed based on Dharma Gothic and a distressed offshoot from the original. The glyphs that damaged by printing the original had been tweaked by hand work with great care. This family contains basic Roman,

Nitro Font

Slightly pointed apex in some glyphs, 27 styles, thin to black, oblique and italics, closed apertures and simply are the characteristics of this typefaces. The cedilla mark are different than ‘traditional form’, help to unify the concept overall. G, L,

Bebas Neue SemiRounded Font

Bebas Neue SemiRounded is Bebas Neue with rounded corners. As you know, Bebas Neue is the most widely used free font recently. The basic theory and proportion are same as Bebas Neue but rounded shape gives a warm, soft and

Temper Wide Font

Temper Wide was designed in 2018 by type designer Jeschke in Berlin. The font consists of many cuts from light to bold and is formally based on its predecessor, Sequel 100. A characteristic feature of the Temper Wide is the

Ritts Cursive Font

The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain

Symptomatic Font

No, rest assured – I am not ill. I just liked the letter combination of Symptomatic! Symptomatic is a messy connected brush script. Use if for your book titles, posters and product packaging. Comes with double letter ligatures and a

Aceituna Font

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food,

Widdershins Font

I like strange words. Widdershins is one of them: it means ‘to go counter clockwise’ and I picked it up from a book I am reading at the moment. Widdershins font was created using a broken bamboo satay skewer and

Miso Font

Miso was designed for architects’ drawings. It’s a clean and narrow typeface suitable for small text but also for headlines and logos. The spacing of Miso follows the logic of mono-stroke fonts as found in CAD software. The starting point

Schnebel Slab Font

Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in