Tag: legible

Ela Swashes Font

“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela

Morning News Font

“Morning News” is the sister font of “Evening News” which I designed some years ago for use with my local newspaper “Abendzeitung”. “Morning News” is an adaption, a little bit rounder, which gives the font a much softer touch. The

Latina Font

Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus

Opificio Font

Opificio is a geometric sans serif with 3 weights, light regular and bold, available also in rounded style. Published by MonofontsDownload Opificio

CA Normal Font

CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. It merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving

Haboro Slab Font

Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is

Sabler Titling Font

Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper

1543 Humane Jenson Font

In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was

Monem Font

“Monem” is the word for “the smallest significance-carrying part of a language”. I thought that was a good name for a clean, straightforward Sans typeface. “Monem” is very sturdy and usable for lots of occasions. I am using this font

Edito Font

“Edito” is a completely new body copy-font. The special thing about this font is, that all serifs have the same height. So no matter if you take the thinnest cut (A) or the fattest (F), you will always have aligning

2011 Slimtype Font

This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish specific characters, plus old style numerals, ct, st and f

Julienne Font

Cooks call thinly cut – like matchsticks – vegetables »Julienne«. I found that was a fitting name for this very narrow typeface. Julienne Slim is the extreme cut of the two. Personally I do not use narrow typefaces very often,

Rusulica Font

Rusulica script is designed to express handwriting in a modern and glamorous fashion. Its letter construction is pure and fluid. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica has a high contrast and there is

CA Normal Serif Font

CA Normal Serif is the perfect companion to its grotesque brother CA Normal. But it is not just a serifed equivalent. It has a character of its own while preserving the principal proportions and the idea of quirkiness. It was

CA Texteron Font

CA Texteron is a modern text-font family to cover the most common typographical needs with a minimum of weights. It is aiming for a serious but unconventional look, which is achieved by combining round and edgy forms in the same