Tag: legible

Leuk Font

As a graphic designer, I know all too well designers are always looking out for that elusive font that is “normal” but has a slight uniqueness about it. This was my challenge in designing Leuk: to find a unique feature

Gilmore Fahrenheit Font

Gilmore Fahrenheit is an original font design by A. Pat Hickson and Steve Jackaman for the Red Rooster Collection. Published by Red RoosterDownload Gilmore Fahrenheit

Gargoyle Font

Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle

Kylo Sans Font

A carefully blended sans serif one part humanist, one part grotesque and a small dose of geometric. Kylo Sans takes the essence of three distinct forms to create a unique, readable typeface with an exact and understated personality. Further, enhancements

Ela Swashes Font

“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela

Morning News Font

“Morning News” is the sister font of “Evening News” which I designed some years ago for use with my local newspaper “Abendzeitung”. “Morning News” is an adaption, a little bit rounder, which gives the font a much softer touch. The

Latina Font

Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus

Opificio Font

Opificio is a geometric sans serif with 3 weights, light regular and bold, available also in rounded style. Published by MonofontsDownload Opificio

CA Normal Font

CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. It merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving

Haboro Slab Font

Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is

Sabler Titling Font

Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper

1543 Humane Jenson Font

In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was

Monem Font

“Monem” is the word for “the smallest significance-carrying part of a language”. I thought that was a good name for a clean, straightforward Sans typeface. “Monem” is very sturdy and usable for lots of occasions. I am using this font

Edito Font

“Edito” is a completely new body copy-font. The special thing about this font is, that all serifs have the same height. So no matter if you take the thinnest cut (A) or the fattest (F), you will always have aligning

2011 Slimtype Font

This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish specific characters, plus old style numerals, ct, st and f

Julienne Font

Cooks call thinly cut – like matchsticks – vegetables »Julienne«. I found that was a fitting name for this very narrow typeface. Julienne Slim is the extreme cut of the two. Personally I do not use narrow typefaces very often,