Tag: legible
Franklin Gothic Raw Semi Serif Font
When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that’s what I call the “raw” form. Raw – no sweeteners added! In
Supra Mezzo Font
Supra Mezzo designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, aweight in between the normal and the condensed width. This cut comes in very handy if you need to put lots of text
Franklin Gothic Hand Light Font
Franklin Gothic Hand Light is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked. When I was in advertising – before computers – a very time consuming part of
Supra Extended Font
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn’t look nice
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and
NotaBene Font
“NOTABENE” is a new, squarish, narrow, technical font– designed by Gert Wiescher in 2015 – has 7 weights with corresponding oblique cuts. “NOTABENE” is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters, web and screen
Supra Font
“Supra” – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new look. The pleasant flow and
Zega Grot Font
Celebrate good times with Zega Grot family! This font is the companion of Zega Text but less “serious” than its predecessor. The Grot version has old vertical proportions, with higher capitals and asc-descenders, height difference between capitals and ascenders, beyond
Contra Condensed Font
Contra Condensed is the condensed version of my Contra family of fonts. It is very condensed, but not yet narrow. It is well suited in all situations where one needs to save space. Published by Wiescher DesignDownload Contra Condensed
Citadina Font
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearance and a slightly condensed design which makes it particularly effective for space economizing.
Pensum Pro Font
Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph. Sometimes a spark of the sexy, curvy and sharply
Gaspo Slab Font
Gaspo Slab is a fresh slab serif typeface that features aesthetically pleasing curves, strong serifs, ample counters, humanist proportions and ink traps. The result is a very functional font with a contemporary design and highly readable at small sizes. Gaspo
Grenale Slab Font
Grenale Slab adds to the new standard of elegance within the Grenale family. Not your typical slab, Grenale has some unique forms that give it a look all its own. This glamourous slab still draws much inspiration from Grenale’s Didone
Merengue Script Font
Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters.
Brownstone Slab Font
Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface. Like the original Sans, Brownstone Slab is a 21st-century design, influenced by the Victorian decorative motifs of the ironwork and carved decorations of New York City
Filson Soft Font
Filson Soft is the rounded version of the popular Filson Pro. At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons,
Ranelte Font
The beauty of a classic is that it never really goes out of style. The pure, simple elements which define its greatness only strengthen and solidify with time and exposure–elements like those that inspired Ranelte, the new sans serif from