Tag: legible
Millar Font
An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol. Published by The Northern
LeanO Sans FY Font
LeanO Sans FY is the newest companion of our existing font LeanO. This beautiful sans serif keeps the same width & weight and continues certainly some particularities like for example the big tail of the Q and the rounded K.
Aaux Next Cond Pack B Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Aquinas Font
Leading British designer David Quay created this elegant Roman typeface with strong, classical letterforms. Aquinas creates a graceful, rough edged pen-on-parchment effect and is the perfect choice where an expensive, upscale look is required. Published by LetrasetDownload Aquinas
LeanO FY Font
Lean-O FY, an original Slab-serif with asymmetrical and slightly leaned serifs. This unconventional typeface is developed in 5 styles. While the extreme weights like Thin and Black are perfectly adapted for display use, the regular weight presents a good legibility
Minuit FY Font
Minuit FY is a new script font inspired by medieval calligraphic elements. The very condensed forms have short ascenders, which affords a high x-height. Comes out in three weights from light to bold, Midnight will certainly bring pleasure to all
Muller Font
The very first sketches of Muller were made about four years ago. In the process, they changed to the point where they had nothing in common with the original idea. As it is with most work we do, when we
Paradigm Font
Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new media of a much previous era, Nick Shinn deconstructed the first roman type,
Lucida Handwriting Font
Designed by Charles Bigelow and Kris Holmes in 2003, Lucida Handwriting is a script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Handwriting
Sayer Interview Font
Sayer Interview is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Sayer Interview
Nexa Rust Font
Nexa Rust from Fontfabric Type Foundry is a multifaceted font system consisting of font sub-families Sans, Slab, Script, Handmade and Extras. Each of these sub-families contains a number of font weights which have a characteristic warm, rough look and display
Insekt Font
Designed by Jens Weigel in 2004, Insekt is a sharp serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Insekt
Necia Stencil Font
Necia Stencil font family is the stencil version of Necia font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Necia Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Madrid Font
Designed by Steve Jackaman, Madrid is based on the typeface Nacional by Carlos Winkow from the Spanish foundry, Nacional (1941). Published by Red RoosterDownload Madrid
Girder Poster Font
Girder Poster, also named Spurred Gothic, was inspired by showcard lettering samples featured in the book, Commercial Art Of Show Card Lettering, published in 1945. Although similar to Cooper Bold, Girder Poster’s serifs are spurred and the design’s incepton came
Copacabana Font
Copacabana is heavily based on one of my favourite typefaces Goudy Old Style Italic. It is sharper and more clearly defined than Goudy yet still retains it old style characteristics. The face is slightly angled so is basically upright whilst
Cabrito Sans Font
A quick recap: the original Cabrito is an insigne Design slab serif produced for the kid’s book The Clothes Letters Wear. It’s been pretty well-received–even more than I expected. I promised to grow the family with a free-standing inverted style