Tag: legible
Qwincey FY Font
Qwincey is a new fresh & elegant font family available in five weights. With its flared and sharped endings, this font will give beautiful style to your layouts. With its round and generous proportions, its single storey lowercase a, open
Unger Fraktur Font
In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich Unger and his partner Johann Christian
Atlantic Serif Font
The original plan for Atlantic was to design a typeface in the Venetian syle of the Renaissance, with handwriting character and large ascenders. There is a wave-rolling unevenness in both the x- and cap-height caused by the strong ductus pointing
Charlotte Sans Font
The Charlotte Sans family of typefaces was designed specifically to co-ordinate with Charlotte roman typefaces in style, weight, and color. Designer Michael Gills created Charlotte Sans on screen with FontStudio software, and has achieved a perfect balance between the humanistic
Cavole Slab Font
Cavole Slab is a new slab serif, designed in early 2011, that has a strong influence from Dutch typography. The name is an altered form of the Portuguese word for feather, emphasizing the typefaceís soft and friendly character. Slab serifs
Klassika Font
A modern and clean sans originally designed by Hellmut G. Bomm, works great in body and headline usage. Contains a very interesting Bronze style that provides a vintage and 3d like option for headers. Published by URW Type Foundry GmbHDownload
DeLuxe Gothic Font
Michael Doret was always very aware of the fact that Morris Fuller Benton’s classic Bank Gothic, a longtime favorite of his, didn’t contain any lowercase characters. So he set out to remedy that by designing his all new DeLuxe Gothic,
Futura Font
Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is
Ainslie Sans Font
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital–a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city,
Vezus Serif Font
Vezus Serif is a legible slab design created by Dusan Jelesijevic. Published by Tour de Force Font FoundryDownload Vezus Serif
Mekon Font
A modern heavy weight typeface ideal for use on print, web, motion, t-shirts and apparel. Details include 4 styles with 3 alternatives, extended European character set, manually edited kerning and Euro symbol. Published by The Northern Block Download Mekon
Necia Font
Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can
Gauthier Next FY Font
Our famous Gauthier FY is now available with an extended character set, including small caps! Inspired by Renaissance typefaces, Gauthier FY is a contemporary old-style serif typeface with big x-heights and quite small caps. Accompanied by a lovely and detailed
Alphabet Soup Pro Font
Designed by Steve Jackaman. In the early 1980’s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced
Interval Sans Pro Condensed Font
The new Interval Sans Pro is a pratical choice when you need a contemporary sans serif for text typography, headlines, signage or brands creation. This new version has many more OT features like small caps, ligatures, stylistic set, localized form.
Stencil Font
Stencil is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Stencil
URW Grotesk Font
URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer)
Bank Gothic Pro Font
If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in