Tag: legible

Thomasschrift Font

Friedel Thomas 1957 Typoart font, redesigned and extended, for vintage use. Published by RMU TypedesignDownload Thomasschrift

Verb Extra Condensed Font

Like the original Verb family, Verb Extra Condensed from Yellow Design Studio is confident, friendly and energetic, but has been carefully re-drawn with space saving proportions. At text sizes it’s legible and economic, while at larger sizes it reveals lively

Hiroshige Font

A vintage and classic serif designed by Cynthia Hollandsworth, Hiroshige brings elegance and class to any project. Works great in both content and headline usage. Published by URW Type Foundry GmbHDownload Hiroshige

Caslon Extra Condensed Font

Designed by Steve Jackaman, Caslon Extra Condensed is based on the Ludlow/ATF versions of this great typeface. Published by Red RoosterDownload Caslon Extra Condensed

Verb Condensed Font

Verb Condensed from Yellow Design Studio is a modestly condensed version of the original Verb family, taking on more classic sans-serif proportions. It shares the same confidence, energy, and friendliness. At smaller sizes Verb Condensed is open and legible, and

Lucida Bright Font

Designed by Charles Bigelow and Kris Holmes in 1993, Lucida Bright is a clean serif design released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Bright

Ribera Font

Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design.

Flywheel Regular Font

Although Flywheel™ was designed in the early 90s, its design was popular in the 80s and remains popular today as an iconic look for futuristic themes: books, movies, arcade games and packaging. The design is rigid, geometric, straightforward and yes,

Churchward Lorina Font

Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward’s trademark quirkiness but remains highly legible and readable on screen as

Bristol Adornado Font

Bristol and Bristol Adornado (also known as Greco) was first released by Fundición Richard Gans of Madrid, Spain, in 1925. The Richard Gans Foundry is a defunct Spanish foundry which existed from 1888-1975. Throughout its existence, types were designed by

Aachen Font

Designed by Alan Meeks under the art direction of Colin Brignall as a medium weight complement to the highly successful Aachen Bold. Categorized as a slab serif Egyptian, it has the unmistakable Aachen pedigree. Because of its less weighty features,

Pancetta Serif Pro Font

Pancetta Serif Pro is a squarish serif typeface – a natural companion to Pancetta Pro. Its skeleton is a blend of modern serif and slab faces, featuring prominent obtuse pillow-shaped serifs. Pancetta Serif Pro comes in 8 weights with real

Organic Font

Organic was designed to be highly legible and flexible. I wanted to create a very refined sans-serif that could be used for display or body copy, for print or digital. The Opentype flexibility allowed me to expand the look of