Tag: legible
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Eden Pro Font
Based on the original 1934 Ludlow drawings by Robert Hunter Middleton, we created two additional weights that round out the family. Eden contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Eden Pro
Thomasschrift Font
Friedel Thomas 1957 Typoart font, redesigned and extended, for vintage use. Published by RMU TypedesignDownload Thomasschrift
Filmotype Homer Font
Introduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype’s popular sign painter sho-card lettering styles used in the late 1940s through the 1950s. With
Verb Extra Condensed Font
Like the original Verb family, Verb Extra Condensed from Yellow Design Studio is confident, friendly and energetic, but has been carefully re-drawn with space saving proportions. At text sizes it’s legible and economic, while at larger sizes it reveals lively
Hiroshige Font
A vintage and classic serif designed by Cynthia Hollandsworth, Hiroshige brings elegance and class to any project. Works great in both content and headline usage. Published by URW Type Foundry GmbHDownload Hiroshige
Caslon Extra Condensed Font
Designed by Steve Jackaman, Caslon Extra Condensed is based on the Ludlow/ATF versions of this great typeface. Published by Red RoosterDownload Caslon Extra Condensed
DeeDee Font
DeeDee is a geometric sans serif typeface family of ten styles – thin, light, regular, bold, heavy in roman and italic respectably. DeeDee typeface is direct relative to older siblings of Dina family. Although all glyphs have gone through complete
Verb Condensed Font
Verb Condensed from Yellow Design Studio is a modestly condensed version of the original Verb family, taking on more classic sans-serif proportions. It shares the same confidence, energy, and friendliness. At smaller sizes Verb Condensed is open and legible, and
Lucida Bright Font
Designed by Charles Bigelow and Kris Holmes in 1993, Lucida Bright is a clean serif design released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Bright
Ribera Font
Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design.
Flywheel Regular Font
Although Flywheel™ was designed in the early 90s, its design was popular in the 80s and remains popular today as an iconic look for futuristic themes: books, movies, arcade games and packaging. The design is rigid, geometric, straightforward and yes,
Churchward Lorina Font
Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward’s trademark quirkiness but remains highly legible and readable on screen as
Bristol Adornado Font
Bristol and Bristol Adornado (also known as Greco) was first released by Fundición Richard Gans of Madrid, Spain, in 1925. The Richard Gans Foundry is a defunct Spanish foundry which existed from 1888-1975. Throughout its existence, types were designed by
Aachen Font
Designed by Alan Meeks under the art direction of Colin Brignall as a medium weight complement to the highly successful Aachen Bold. Categorized as a slab serif Egyptian, it has the unmistakable Aachen pedigree. Because of its less weighty features,
Pancetta Serif Pro Font
Pancetta Serif Pro is a squarish serif typeface – a natural companion to Pancetta Pro. Its skeleton is a blend of modern serif and slab faces, featuring prominent obtuse pillow-shaped serifs. Pancetta Serif Pro comes in 8 weights with real
Organic Font
Organic was designed to be highly legible and flexible. I wanted to create a very refined sans-serif that could be used for display or body copy, for print or digital. The Opentype flexibility allowed me to expand the look of