Tag: legible
Kobern Font
A strong, horizontal sans serif typeface. The letterforms distinct lateral emphasis combined with condensed proportions helps improve readability and use of space across layouts. Ideally suited for a wide range of modern applications, details include 9 weights with italics, 540
Cabrito Font
After my son was born, I found myself reading him a lot of books. A LOT of books. Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something
Schneidler Initials Font
This 1957 typeface, designed by F.H.E. Schneidler for the Bauer Type Foundry, was created to compliment his Schneidler Old Style, (also known as Bauer Text). Schneidler Initials have pointed and very small serifs. This font’s beauty and elegant personality is
Baufra Font
Baufra is a humanist sans-serif typeface. It is based on the sans-serif typefaces of the early 20th century. A characteristic feature of Baufra is its geometric design combined with an earthy naturalism. Baufra family includes 6 weights, 435 characters, manually
Libertad Font
Design can do without images, but not without typefaces. Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile
Academy Engraved Font
Letraset’s talented type designer, Vince Whitlock, was inspired by the elegant Caslon series when he created Academy Engraved. The exquisite letterforms of this traditional Roman typestyle make it ideal wherever a refined, classical appearance is desired. Published by LetrasetDownload Academy
Globale Font
Globale, pronounced Globaal, is designed in two roman weights with matching italics. Small capitals and old style numerals have also been designed for the roman versions. In terms of style, Australian designer Scott Carslake has managed to capture an elusive
Aaux Next Wide Pack B Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Dead Rite Font
A beefy unicase flare serif typeface inspired by a Frank Kane pulp paperback of the same name. Published by Pink BroccoliDownload Dead Rite
Strima Font
Strima is a geometric sans serif typeface that stands for minimalism and legibility. Published by Nicolas DesleDownload Strima
Uninsta Font
Uninsta is a neutral sans serif font family intended for use across a variety of modern applications in both digital and print media. Geometric letter forms are combined with subtle humanist touches to create a legible, low contrast typeface with
Aaux Next Family Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Charlotte Font
Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone,
Centima Mono Font
Centima Mono is a subfamily addition to Centima type family. Centima Mono is a condensed geometric monospaced san serif, built in six styles. The typeface is intended for use in display sizes, but also is quite legible in text and
Uni Sans Font
Looking for a type that will work in blocks of text for callouts, captions and headlines? Well, find that unique balance by using Uni Sans – a custom sans font which is applicable for any type of graphic design –
Malina Font
Malina is a sans-serif monoline typeface with some humanist touches creating a clear and legible typeface. The Idea is to make hairline display font that elegant and perfect for use at large sizes, with a set of alternative characters such