Tag: legible
Lucida Sans Font
Designed by Charles Bigelow & Kris Holmes in 1986, Lucida Sans is a clean sans-serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++. Download Lucida Sans
Sirius Font
Sirius is an old style and formal serif designed by Coen Hofmann in 2003. The Sirius family contains four beautiful style options that also includes a small caps style. Published by URW Type Foundry GmbHDownload Sirius
Clearface Gothic Font
Clearface Gothic is a sans-serif with only a distant resemblance to the original Clearface design. It was designed by Morris Fuller Benton in 1906 and cast by American Type Founders. Published by URW Type Foundry GmbHDownload Clearface Gothic
Metronic Slab Pro Font
Metronic Slab Pro is a slab serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts.
Bookeyed Martin Font
Huzzah for Bookeyed Martin, the much anticipated addition to the popular Bookeyed family. Upright & Strong he attracts eyes to his flashy serifs and ball terminals. His handsome lines, created with an old-fashioned dip pen & sepia ink, reference vintage
Tempo Grunge Font
Designed by Steve Jackaman, Tempo Grunge is based on the medium weight of Ludlow Tempo. Published by Red RoosterDownload Tempo Grunge
Scylla Font
Scylla is a clean, modern and very elegant sans-serif font, designed by Hans Schumacher in 2004. Published by URW Type Foundry GmbHDownload Scylla
Aaux Next Wide Family Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Baskerville Handcut Font
Baskerville Handcut is a classic serif typeface, designed in 1980 by URW Studio. Delivered in opentype format, it contains support for West, East, Turkish, Baltic, Romanian character sets. Published by URW Type Foundry GmbHDownload Baskerville Handcut
Harry Pro Font
This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith). Goldstein, born in Chicago in 1939, was the co-founder of the groundbreaking Creative Black Book. He graduated from the Pratt Institute in 1960. Harry,
Carlton Font
Designed during the early 1900s for the Stephenson Blake Typefoundry, Carlton has recently become a popular roman alphabet again. It is used extensively in display sizes when a discreet, elegant appearance is needed. Carlton’s qualities are maximised by generous letter
Baskerville Old Face Font
Baskerville Old Face is a classic and elegant serif font, originally designed by John Baskerville in 1768. Baskerville Old Face contains West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry GmbHDownload Baskerville Old Face
Soin Sans Pro Font
Soin Sans Pro is a clean and modern sans-serif design by Stawix Ruecha. Published by STAWIXDownload Soin Sans Pro
Egon Sans Font
Egon Sans is a geometric sans serif typeface family built in ten styles – extra-light, light, regular, bold and black weights in roman and italic respectably. Egon Sans is an extension of Egon (Slab Serif) family, designed in 2008. The
Bodoni Campanile Font
Bodoni Campanile was originally designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Campanile
Classic XtraRound Font
Classic XtraRound is a companion typeface to Classic Round, designed by Ben Blom. Although Classic Round has a lot of roundness, Classic XtraRound has more. Classic XtraRound has maximum roundness — no sharp corners, anywhere. Classic XtraRound has maximum roundness
Magneta Condensed Font
To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like
URW Bodoni Font
URW Bodoni is a family of 50 serif typefaces first designed by Giambattista Bodoni in 1798. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased