Tag: legible
Futura No 2 Font
Futura No. 2 is Letraset’s version of Futura from the 1980s, digitized by and at URW in opentype format. Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque
Steelplate Gothic Font
Designed by Steve Jackaman, Steelplate Gothic is a decorative/outline font based on the Robert Wiebking design for either Western or BB&S, circa 1918. Published by Red RoosterDownload Steelplate Gothic
Eigerdals Font
Eigerdals is a pleasant and visually warm sans-serif type family. Eigerdal is a soft and amiable face, perfect for when you want to convey a relaxed and pleasant feeling. Eigerdals features a smooth, brushed impression and a tall x-height. The
Astoria Font
Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well
Brownstone Sans Font
One design sparks another. As Alejandro Paul experimented with the strokes and curves of the monoline script Business Penmanship, he discovered interesting new forms and shapes that didn’t fit the Spencerian theme of that typeface. These forms simmered in Ale’s
Karmina Font
Karmina is a text typeface developed mainly for pocket books and budget editions. It was built to withstand the worst printing conditions: low quality papers, high printing speed with web presses and variations in the ink level of the printing
Directors Gothic 210 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Citation Font
Eminent British lettering artist Trevor Loane created this distinguished, all capital, Roman typeface. The elegant, stately letters evoke the effect of type incised in stone or slate. Excellent for work where an expensive, upscale appearance is desired. Published by LetrasetDownload
Gilman Font
The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality typeface digitally, I decided to first draw the complete alphabet by hand on paper, and
Karmina Sans Font
Karmina Sans was conceived as a larger type family, six weights with matching italics, that could perform alongside it's serifed cousin, but that had its own features and personality. It shares the same technical excellence and has the same basic
Casablanca Font
Designed by Steve Jackaman in 1997, Casablanca is an art deco, retro styled typeface great for headline and vintage themed type settings. Casablanca comes in opentype format with West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry
URW Imperial Font
URW Imperial is a modern and fashionable sans-serif typeface, originally designed by Albert-Jan Pool. URW Imperial contains West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry GmbHDownload URW Imperial
Titus Font
Designed by David Quay in 1984, Titus is a classic serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Titus
URW Bodoni Old Fashion Font
URW Bodoni Old Fashion is a classic serif typeface, designed in 2001 by URW Studio (Giambattista Bodoni). Delivered in opentype format, it contains support for West, East, Turkish, Baltic, Romanian character sets. Published by URW Type Foundry GmbHDownload URW Bodoni
URW Typewriter Font
Designed by URW Studio in 1994, URW Typewriter is a classic, full featured and well executed typewriter styled serif design. With 50 different styles in the complete family, URW Typewriter is one burl of a slab serif family that all
Gabor Pro Font
Gabor Pro is a versatile multilingual joining script font with an extended Latin and a complete! Cyrillic character set. Published by RMU TypedesignDownload Gabor Pro
Shinn Font
Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the