Tag: legible
Studly Font
Studly is a bold sans serif with bold solid and outlined font files. comes with 6 style, Studly is suitable for Logo, greeting cards, quotes, posters, branding, stationary, design title, blog header, art quote, typography art, modern envelope lettering or
Salom Font
Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam
Fieldwork Font
Fieldwork brings back the manual tradition of typography production, veering away from lab interpolations. Each of its 24 variants was drawn based on optical evaluation; many of its curves and details were specifically adjusted for each weight, reformulating them to
Polyphonic Font
Polyphonic is a highly versatile slab serif typeface comprising 60 fonts across 6 weights and 5 widths. It is a no-nonsense, clear and legible type family whose multiple voices will suit numerous typographic applications. Its overall personality is polite, understated
Axios Font
Axios was designed, on one side, due to its rational intention of searching the beauty on the purity of its forms, assuming the language of the early XX century geometric sanserifs. But its structure foundations are deeply attached into the
Cera Condensed Pro Font
The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, Cera Condensed, the hand-crafted display Cera Brush and the soft Cera Round. Developed for the narrow reading environments of mobile devices,
Ador Hairline Font
Ador Hairline is the high contrast version of Ador. A humanist sans serif that falls in the “evil serif” genre, especially designed for contemporary typography and comes up with 7 weights from extralight to black plus true italics and 293
Ballarih Font
Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,
Atonement Font
Atonement is a splattery, scratchy font. I made it with a steel nibbed pen, a brush and some Chinese ink. I based it on my fonts Ravenheart, Qilin and American Grunge – mostly because I really like them. Of course,
Bearskin Font
NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner. I have no idea why I called this font Bearskin: maybe I was influenced by
Scanno Font
Scanno is a modern sans serif typeface that comes in eight weights and one condensed. Each weight has an oblique. It is a versatile family that is suitable for body, headline, and display text on screen or in print. Its
Bitterbrush Font
I needed a name with ‘brush’ in it and most have already been taken, so I did a little digging and found out that Purshia tridentata, a flowering plant native to the mountainous areas of western North America is called
Runaround Kid Font
I was listening to some old Smashing Pumpkins albums when I created this font. The name comes from a song called *** You (An Ode To No One). Runaround Kid is a hand painted typeface. I used Chinese ink and
Binaria Font
Binaria font family has been designed for Graviton Font Foundry by Pablo Balcells in 2018. It is a sans serif typeface with a mechanic appearance. Its squared, angular shapes provide a futuristic and robust design. It has been conceived to
Govia Sans Font
Let’s have some fun! Govia Sans adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font family – thus, Govia Sans might be the perfect choice for toys, books,
Elaina Family Font
Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at