Tag: letter
Beauty Script Font
Beauty Script is a modern interpretation of the classic formal script style. You could notice in it a special feeling due its subtle wavy rhythm to mimic the natural movement of handwritten calligraphy. Because its strong contrast and the fluidity
Penna Font
Penna is a calligraphic type system designed by Pedro Leal. Amidst the four available styles you get four different ascender and descender styles, two different styles of starting and ending swashes, a pleura of ligatures and several other features. Choose
Chamfer Gothic Font
Designed by Steve Jackaman, Chamfer Gothic is based on an original 1898 Ludlow typeface design. Published by Red RoosterDownload Chamfer Gothic
Shepia Font
Shepia is a Monoline Cursive Handwriting. classic and fun vintage script. With almost 390 glyphs and 188 alternative characters, contain with opentype features. Stylistic alternates, Ornament, swash and more. Can be used for various purposes.such as logos, wedding invitation, t-shirt,
Creighton Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Shintia Font
Shintia Script is a highly legible script font with a bold, classic vintage feel. It contains 215 glyphs as well as Opentype features such a stylistic alternates. A fantastic choice of font for posters, t-shirts, signage, logos, badges, and more.
Roman Tyres Font
Designed by Steve Jackaman. An original design, based on a very early turn-of-the-century typeface from the defunct Keystone Type Foundry, Philadelphia. Published by Red RoosterDownload Roman Tyres
Compendium Font
Compendium is a sequel to my Burgues font from 2007. Actually it is more like a prequel to Burgues. Before Louis Madarasz awed the American Southeast with his disciplined corners and wild hairlines, Platt Rogers Spencer, up in Ohio, had
Cenizas Font
Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul. Although the overall ‘wildness’ of Cenizas is reminiscent of popular mid-twentieth-century English display scripts, Koziupa’s Latin brush humor and ingenuity remain evident in the
P22 Dearest Font
Dearest is a distinct flowing script based on handwritten characters found in a 19th Century German book chronicling a history of the Middle Ages Originally released in 2001 as a set containing two styles, Script and Swash, Dearest is now
Cider Font
Cider is based on a logo the the Suomi Type Foundry made for a Finnish cider brand. Published by Suomi Type FoundryDownload Cider
Bannock Brae Gothic Font
Designed by Steve Jackaman, Bannock Brae Gothic is an original design, loosely based on a typeface from an old wood type specimen book from the turn-of-the-century. Published by Red RoosterDownload Bannock Brae Gothic
P22 Cigno Font
P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of
Tall Skinny Condensed Font
Tall Skinny Condensed was designed this way because I felt a serious need for that one big, thin word to fit in a narrow space. It is great for ‘SALE!’ in a one column ad. Also is a life saver
Metallophile Sp8 Font
Metallophile Sp 8 is a faithful facsimile of an 8 point sans serif typeface as set on a 1940s vintage hot metal typesetting machine and printed on coated paper stock. The effect is very different from its modern cousins, which
Dearest John Font
Dearest John is the first font in the Love Letters series from Outside the Line. It is a bouncy hand lettered font. If you type caps and lower case you get one look. If you type all caps you get
Basuto Font
Designed by Paul Hickson, Basuto is based on the original typeface design from 1927. Published by Red RoosterDownload Basuto
Parnassus Font
Parnassus is a hand-drawn font created by Jessie Riley and inspired by the German Expressionists. Born out of the need for a unique and emphatic typeface to match the content of Taylor University’s literary journal, its rough-around-the-edges feel and semi-calligraphic