Tag: linear
La Casa Font
Fontdesign meets architecture – the unique and architectural design of the urban villa “Dupli.Casa” by the architect J.Mayer.H triggered the inspiration for the typeface “La Casa”. Inclinations and curvatures mirror the linear, modern impression of the architecture. The overall impression of
Franklin Gothic Hand Font
Franklin Gothic Hand Demi Shadow is another one in my series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. This one was especially used for what we called “pork-belly-ads”: ads
Alpha Bravo Font
Alpha Bravo was born on a napkin. I was just doodling, playing around with letterforms when the ballpoint glided a little bit too far and suddenly I had my first letter with the dash sticking out on the left of
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and
Celdum Font
Celdum, a modern geometric type family, constructed from a rectangular grid. Smooth, precise curves meet horizontal and vertical lines to create a monoline design with no apparent contrast. Each letter shape has unique subtleties creating a purposeful type family suited
Neutro Font
Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely
Artica Lt Font
Artica is an elegant sans serif typeface, offered in five weights. It was inspired by classic Roman letterforms. Artica Lt includes a Unicode Latin 1252 character set. Published by Green TypeDownload Artica Lt
Artica Pro Font
Artica is an elegant sans serif typeface, offered in five weights. It was inspired by classic Roman letterforms. Artica Pro supports Latin, Cyrillic and modern Greek scripts, and includes swash initial & final forms, stylistic alternates and ligatures. Published by
Artica Rough Pro Font
Artica Rough Pro is an elegant display typeface. It was inspired by classic Roman letterforms. Artica Rough Pro supports Latin, Cyrillic, modern Greek and Armenian scripts, and includes swash initial, final forms, stylistic alternates and ligatures. Published by Green TypeDownload
Animo Font
Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for
Monsal Gothic Font
A sans-serif typeface with clean and simple proportions. The design pays special attention towards balance and purity of form, creating a functional yet elegant typeface suitable for a wide variety of modern applications. Details include 9 weights, an extended European
Sol Pro Font
Based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973, Sol Pro goes above and beyond the call of revival/retooling to include plenty of optical improvements to the original design, more weights, italics,
Vivala Slab Font
The family includes seven weights being seven uprights and an inline style. Vivala Slab is ideal for use in headline sizes, but it also works properly within text blocks and information design. Opentype features are ligatures, ordinal, fractions, numerator, denominator,
Graphie Font
Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body
Logomotion Font
This is a typeface specially designed for logotypes, but can also be used in headlines, posters & signage. It has many OpenType programming features, that give a more playful and rhythmic spirit, creating an interesting geometric-sans and script mixture. The
Itoya Font
Itoya is a contemporary sans serif font influenced by Western and Japanese ideologies. A fusion of modern machine-like functions with a warmer, emotional and more spiritual ethic. The marriage of a western precision and eastern expression forms a sharp functional
Sybilla Font
Sybilla is a robust, yet friendly, humanist slab serif well suitable for broad range of design projects. A true workhorse and superb text type family, Sybilla was especially designed with legibility in mind. Its soft almost cursive shapes and generous