Introducing Cherod, a classic all-caps sans display font with medium stroke, lively character, and a touch of ligatures and alternates for added creativity. Cherod supports over 100+ languages, making it a versatile choice for various projects. Ideal for logo design,
Roxborough is a dramatic serif, influenced by calligraphy and hand lettering. Rich, open construction – built around a distinctive single-storey “a” – pairs nicely with the stylized, expressive italics. Both traditional and chic, Roxborough transforms text into art; it adapts
Unfortunately we rarely meet typefaces which still show the formal quality of the time of our grandfathers or even the technical progress in their interior with the design of their exterior. A rare example is Sequel Rounded whose shapes combine
Do you suffer from allergies? Hate the summer? Nuts that give you nightmares? The font that looks like it sneezing from sort of reaction is right here. The font looks like it might be falling apart, its shaking and trebling
Based on the light and movement of an old projector display, fat, square font. This font was created by Benjamin A Melville and features a full upper and lower case alphabet including 0-9 and some punctuation, please see glyphs list
Sequel Sans is an homage to Max Bill, the influential mid-century Swiss architect, artist and industrial/graphic/type designer. Designed in cooperation with the Max Bill Georges Vantongerloo Foundation in Zurich, this is a modern response to the traditional Max Bill themed
Designed by fine artist and calligrapher Alissa Mazzenga, Marguerite is is a calligraphy style font inspired by fine artistry and risk taking. She has a way of surprising her viewer, with a look that is authentic, yet chic, relaxed, but
The Dutch De Stijl movement (1917-1931) sought to create an art which took abstraction to its logical extreme, as exhibited in the paintings of Piet Mondrian. Inspired by the movement’s philosophy of pure form, P22’s De Stijl set features three
Stat Display Pro is an information design sans serif type family legible in circumstances of low visibility. Its large character set with multiple weights is defined by optimal size ratio, distinctive letter shapes, wide aperture and balanced counters. Stat Display
This font set is inspired by the Pop artists of the 1950s and 60s. Based in the images of the popular culture, these fonts are derived from comic books, magazines, advertising, and films of the time. “Pop Art Extras” feature
Horizontes Script is the result of Panco is personal experimental calligraphy project. Designed with the goal of finding a balance between spontaneity, elegance and beauty, his first typography was born and inspired on the horizon´s blue line from the city
The world may seem cartoonish to you, pilgrim, but the funnies ain’t really that funny. The Flintstones are so last century. The Hulks are in, and they’re here to stay. Piedra is the rocky, fear-inducing face of galvanized triceps and
This font set is based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art. Both artists kept a record of Edward’s
Compendium is a sequel to my Burgues font from 2007. Actually it is more like a prequel to Burgues. Before Louis Madarasz awed the American Southeast with his disciplined corners and wild hairlines, Platt Rogers Spencer, up in Ohio, had
Delight Script is a fresh and original Angel Koziupa design that takes its cue from post-WWII advertising scripts. Casual, bouncy and playful, this upright script is built and engineered by Alejandro Paul with tons of alternates that can make every
This set of typefaces was produced in conjunction with the Guggenheim Museum and the Josef Albers Foundation. Josef Albers (1888-1976) was one of the most important artists and educators of the twentieth century. He was a member of the Bauhaus
The type designs of Vojtech Preissig show a great affinity for handcraftsmanship and a distinct attempt to avoid appearing too clean and mechanical. Legend tells how Preissig created hand-cut fonts using a knife in linoleum blocks. This font was based