‘Publica Slab’ is the serifed sister of Publica Sans and Publica Play – packed with subtle open type features, tabular options, rare currencies signs and symbols and arrows, ‘Publica Slab’ provides everything you need for big design tasks like signage,
Molde is a super sans serif font family, belonging to the neo-grotesque style. Formally, Molde was inspired by the extreme sobriety of famous post-Bauhaus Swiss Movement of the mid-twentieth Century. The masters of this style are famous for eliminating all
This year we commemorate the 200th anniversary of the first sans-serif typeface. and what better way to celebrate, than to design our own sans-serif! Brother 1816 is a very flexible, multifaceted and solid typeface, mixing Geometric shapes with Humanistic strokes
Barter Exchange is a multi-purpose sans serif that can take on any project—newspapers, magazines, books, websites, packaging and environmental graphics. The regular weight, including italic, is free and is not a demo. Published by Hanken Design Co. Download Barter Exchange
Atiga is a workhorse sans serif family with subtly distinct forms. The large number of weights and corresponding italics allow for usage at almost any size, in print and on screen. Published by Tyler Finck Download Atiga
Typold originated out of the desire to improve, geometric forms and push beyond previous achievements through collaborative working methods and knowledge sharing. The result is a finely balanced modern sans serif constructed from mathematical inputs, typographers needs, and the natural
Commuters Sans is a classic and simple geometric font design, published by Ryoichi Tsunekawa. Commuters Sans is useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching proportion. It consists of eight weights and
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
TT Norms Pro 3.0 in numbers: • 82 styles • 4 subfamilies (Condensed, Regular, Expanded and Mono) • 2 variable fonts • 1668 glyphs in each font • Support for more than 260+ languages: extended Latin, extended Cyrillic, Greek, Vietnamese,
The Vtg Stencil DIN fonts were developed to made the most common stencil type of Germany available in digital type. Vtg Stencil DIN comes in many styles – Regular, Alt, Fabric, Halftone and Rough. The Alt style features older designs
Apoka is a sans-serif type family of 6 weights. The design features rounded terminals and a moderate contrast. Apoka's appeal is in understated simplicity and attention to detail. The type family is most suited for branding, signage, packaging, UI/UX and
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Publica Play is Publica Sans’ playful sister. It comes with loads of subtle open type features, tabular options, rare currencies signs and symbols and arrows – ‘Publica Play’ has everything you need for playful design tasks. Take a close look
Neusa Next is a geometric sans serif type family designed by Maria V. Pigoulevskaya. Its wide range of weights, widths and matching italics provides the designer with a complex and rich typographic palette. Designed and released as Neusa in 2012,
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print