Tag: neutral
Cormac Font
Cormac is a humanist typeface characterized with it’s large x-height and slightly flared stems. The word that best describes our ideas in the beginning of the project is “simple” – the idea behind it was to strip the letter forms
Estricta Font
Estricta font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a sans serif typeface with a geometrical and mechanical appearance, its sharp, angular edges provide a strong and solid design. It has been
Ruda Slab Font
Rauda Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a display, slab serif, geometric typeface, with sharp angles that provides a strong and solid appearence. Rauda Slab consists of 8 styles.
Innova Font
Innova. A new grotesque for the 21st century. More open. More squarish. More legible. After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design—a contribution to
Mixcoatl Mono Font
The Typeface «Mixcoatl» by Elia Salvisberg was developed as a part of a course at the Lucerne School of Design and Art in 2016. Based on the book «The Empire of the Inca», a display-font has been created, which is
Syke Mono Font
A monospaced companion of the Syke type family. Using the proportional typeface as the reference details are carefully drawn into specially chosen characters to help improve center alignment, function, and readability. Syke mono has a modern aesthetic style that is
TT Lakes Font
The idea for this font emerged in the city of Priosersk, which until World War II was a Finnish city called Kakisalmi. At the city museum we came across an unusual sign plate with the former name of the railway
Winter Mix Package Font
Winter Mix Package font collection, a dingbat, hand drawn and hand display collection by Great Lakes Lettering. Winter Mix Package has extensive OpenType support including 1 additional stylistic sets, Stylistic Alternates and Standard Ligatures giving you plenty of options to
Malva Font
Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for. Legibility was one of
Alianza Font
This is a complex typographic system which includes three different but complementary styles so far: Slab, italic and script, with nine weights each one; plus three sets of ornamental fonts: labels, negative labels and ornaments. The soul of the family
Epicon Font
With its geometric shapes and rounded terminals, Epicon Typeface is a modern and functional sans serif family with an air of technology. With 3 weights and their accompanying italics, this contemporary font is well-suited for all kind of application. From
Kareemah Font
Kareemah is a humanist typography, composed by roman and italics with 16 styles and 08 weights (800 glyphs) including ligatures, alternates, small caps, old styles figures, fractions, superiors, inferiors and more. Perfectly legible and clean in the long, simple texts
Bodoni Condensed Black Font
Bodoni Condensed Black was designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Condensed Black
TT Corals Font
TT Corals is a modern humanistic sans-serif which has many typical traits of the beginning of the 20th century. For an increased functionality of the font family we’ve created 6 typefaces of various weights: Thin, Light, Regular, Bold, Extrabold, Black.
Epicoff Font
With its geometric shapes and straight terminals, Epicoff is a modern and functional sans serif family with an air of technology. With 3 weights, this contemporary font is well-suited for all kind of application. From packaging to editorial design, from
Silverado Font
Designed by Steve Jackaman, Silverado is based on a classic serif type design called Eldorado. Published by Red RoosterDownload Silverado
Fraktura Font
“Fraktura” and “Fraktura Plus” is a set of classical Fraktur (Blackletter) in a modern interpretation. The two fonts differ in the amount of embellishments and can and should be mixed. I only sell the pair, but for a fair price.