Tag: newspaper

Ainslie Slab Font

Based on the inspiration from Mt. Ainslie and the Ainslie suburb outside Canberra, the original Ainslie adds [these characteristics] to the project. And now the muses of Ainslie are back at work, lending their structure as the foundation of Ainslie

Chiavettieri Font

Chiavettieri draws inspiration from Humanist types, marked by low contrast between thick and thin strokes and the angle of stress in the bowls of letters. On the other hand, generous x-height, clean angled serifs and sharp cuts in the ball

Merel Font

Merel is a modern geometric typeface with humanist attributes. Geometry and logic are at the heart of this 6 weight font family. Humanist touches give it a number of distinctive characteristics, as well as aid legibility. Despite being rational and

YWFT Mullino Font

Slightly distressed but possessing of serious underlying power, YWFT Mullino can be used as a display typeface or as a text face. This font brings huge diversity, beginning with the fact that there are two styles (Book and Medium) and

Tailor Font

Tailor was a study of slab serif style with round and comfortable feel. I wanted to merge round shapes with exaggerated ink traps for legibility. Published by Suomi Type FoundryDownload Tailor

Webnar Font

Webnar is a modern geometric sans serif font family of 7 weights, including italics, created with information and technology in mind. It is a functional, versatile and highly legible typeface designed to perform well in print and on screen. Webnar

Stevie Sans Font

Many years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting. The style eventually settled in my memory waiting for the work of time. Behind its

Solido Compact Font

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters. Published by DSTypeDownload Solido Compact

Canberra FY Font

Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,

Akagi Pro Font

Akagi Pro is a complete rebuild and expansion of my popular Akagi typeface. Contemporary, clean, simple and friendly continue to serve as the adjectives for an expansion that includes 250 additional characters per weight, many new ligature options, expanded stylistic

Vage Font

Vage is a family of 10 fonts, a contemporary sans-serif typeface. It is rooted in the style of a classic high contest typeface provides advanced typographical support with features such as ligatures and alternate characters. Especially suited for fashion magazines,

YWFT Absent Grotesque Font

In these over-Photoshopped times, a little imperfection can make your work stand out and excel. YWFT Absent Grotesque was created to be an imperfect typeface, exploring ideas found in Univers and Helvetica without the serious attitude and over-marketing. It was

Solido Font

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters. Published by DSTypeDownload Solido

URW Grotesk Font

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer)

Rowton FY Font

Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez,

Modum Font

A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic