Tag: oldstyle
Kingsrow Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Bellini Font
Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini
Ultra Modern Font
Designed by Douglas C. McMurtrie and digitally engineered by Steve Jackaman, Ultra Modern is based on the original Ludlow drawings, circa 1928. Published by Red RoosterDownload Ultra Modern
Gargoyle Font
Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle
Rivoli Initials Font
Designed by Paul Hickson, Rivoli Initials is a decorative font based on the William T. Sniffin design for ATF, circa 1928. Published by Red RoosterDownload Rivoli Initials
Aviano Royale Font
Aviano returns to lend its classic line to its newest variation, Aviano Royale–named so because of the rich flow the calligraphic capitals give the established font. The extended lowercase characters give an air of formality to the face as well
Movie Script Font
“Movie Script” is the script that was used in German movie-brochures. Those were small four page leaflets with a lot of sepia-colored pictures about the movie one was about to see. Today those things are collectors items. The script was
Etruria Font
Etruria is a Etruscan writing style font design created by Dima Pole Published by Dima PoleDownload Etruria
Pontiac Font
Pontiac is a sans serif OpenType font designed by Fanny Coulez and Julien Saurin in Paris. Somewhere between Akzidenz Grotesk and Neutra, Pontiac is a functional font with something more, something warm, geometric but human, something distinctive, something French finally.
Sistina Font
Sistina, designed by Hermann Zapf in 1950 was first named Aurelia Titling. It is a heavy supplement to the Michelangelo Titling based on studies of inscriptions in Rome. First released in hotmetal at D. Stempel AG, Frankfurt in 1951, Sistina
Sycamore Font
Designed by Les Usherwood, Sycamore was digitally engineered by Steve Jackaman. Published by Red RoosterDownload Sycamore
Schar Font
A humanist sans designed like a serif with high-stroke contrast, but without serifs. Calligraphic forms and consistent angle axis are combined to create a fluid and dynamic personality. Schar is a balanced sans serif with classic proportions ideally suited for
Garibaldi Font
Garibaldi is a text typeface based on humanist calligraphy. It has an organic look and feel, while preserves the traditional construction of roman typography. It all started with a desire to learn more about the origin of the strokes on
Lucida Font
Lucida is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes in 1985. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida
P22 The Stickley Optical Family Font
The P22 Stickley Optical Family is an expansion of P22 Stickley Text, a humanist, Oldstyle-rooted design with a contemporary execution and full OpenType abilities. P22 Stickley Optical Family contains ten distinct cuts across four optical masters—in addition to Text for
Weiss Antiqua Font
In 1928 Emil Rudolf Weiss designed Weiss Antiqua, a classic and and versatile serif design. Use this design in a wide range of projects, great for the design toolbox. Published by URW Type Foundry GmbHDownload Weiss Antiqua