Tag: Old-fashioned
Bourbon Font
Like a brother to Gin, Bourbon is a condensed display typeface inspired by the likes of whiskey bottles and vintage serifs. It enjoys long walks with subtle, distressed textures or a nice, good-ole script. Bourbon Rough works great in larger
Prohibition Font
The ban on serifs is at hand! Bourbon and Gin thought they could get away with their spirited serifs, but Prohibition has arrived and cut them off. Packed with some new surprises, this vintage sans typeface takes queues from classic
Sofia Rough Font
Based on the popular Sofia Pro typeface, Sofia Rough is a multifaceted font family with different eroded variations. Sofia Rough contains sixteen fonts and two eroded sub families. With Sofia Rough Black for uppercase and Sofia Rough Script for lowercase
Butternut Font
Butternut’s origins can be traced back to handwriting in felt-tipped marker. Because of this, you’ll find a slight degree of roughness to the edges, yet a fluid softness to the letterforms themselves. As well as some weird, fun details here
Amoretta Font
Amoretta = Little Love. Our sweet Amoretta is optimistic & bright. A charming balance of youth and sophistication, Amoretta is full of opportunity for print (Identity projects, stationery, book design, packaging design) or online applications (eBooks, games, websites). Easy to
Chancellor Font
Chancellor is a robust hand-drawn sans serif display typeface. Its sturdy letterforms takes inspiration from Plakatstil era posters, while bringing up also cool adornments to flourish your lettering designs. This all caps typeface has two versions for each letter, amplifying
Bookeyed Martin Font
Huzzah for Bookeyed Martin, the much anticipated addition to the popular Bookeyed family. Upright & Strong he attracts eyes to his flashy serifs and ball terminals. His handsome lines, created with an old-fashioned dip pen & sepia ink, reference vintage
Populaire Font
Populaire is a hand-drawn font that mimics true handcrafted lettering. Counting 4 glyphs for each letter, the laborious kerning table ensures that the glyphs are really exchangeable. Yet, there’s a cool set of ornaments and a kind-of-magic OpenType feature. When